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Handel

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

2:34	Est. Play Time
78	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Bass	15	0	2	6	74%
Soprano 1	8	0	1	5	21%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	0	7	8	98%
Tenor Saxophone	19	0	4	8	97%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	7	8	98%
Tenor Saxophone	19	4	8	97%
B♭ Clarinet	23	5	10	96%
	6	1	5	4%
Flute	23	5	10	96%
	6	1	5	4%
Alto Saxophone	27	5	10	96%
Tuba	21	5	7	94%
Horn in F	22	5	9	92%
	22	5	8	89%
B♭ Trumpet	19	5	9	78%
	7	1	5	4%
Baritone	16	4	7	67%
Bassoon	7	1	5	4%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%

"Fra gelsomini, fra gratifiori" from "Il Pastor Fido," HWV 8, both revival versions

edward.maurath

11:44	Est. Play Time
100	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	5	7	99%
	26	40	8	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	5	7	99%
	26	40	8	5	100%
Violoncello (Continuo)	21	0	5	5	100%
Soprano as Mirtillo	14	0	4	6	78%
Violini	16	0	2	7	68%
Bassoon (Viola)	10	0	1	4	23%
Bassoon (Continuo)	14	0	1	3	23%
Contrabassi (Continuo)	14	0	1	3	23%
Oboe	13	0	1	7	23%
Violas	10	0	1	4	23%
Violoncelli (Continuo)	14	0	1	3	23%

"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
Contrabasses	22	0	5	9	100%
Violins	22	0	4	9	100%
Violins 2	20	0	4	9	100%
Violoncello	22	0	5	9	100%
Violoncellos	22	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

HWV56N38Z2 - How beautiful are the feet

edward.maurath

1:17	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	23	68	6	3	100%
HPSI LH	18	24	8	3	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	23	68	6	3	100%
HPSI LH	18	24	8	3	98%
Vcl	17	0	4	4	96%
Alt	12	0	2	5	63%
Sop	12	0	2	5	58%
Vln 1	11	0	2	4	35%
Vla	8	0	2	3	29%
Violoncellos	11	0	1	3	27%
Vln 2	7	0	1	4	27%
VNE	11	0	1	3	27%

HWV56N09 Messiah O Thou that tellest good tidings

edward.maurath

7:31	Est. Play Time
151	Measures
	2,205Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	22	147	6	6	99%
Violoncello Continuo	24	0	7	6	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	22	147	6	6	99%
Violoncello Continuo	24	0	7	6	99%
Violins	23	64	4	7	87%
Violoncello	24	0	7	6	87%
Violone	23	0	7	6	87%
HPSI LH	24	36	6	5	77%
Alto	11	0	2	7	72%
Soprano	12	0	1	7	21%
Viola	14	0	2	5	21%
Bass	14	0	2	6	19%
Tenor	9	0	1	7	19%