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Handel

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Handel - Sarabande Variations

Parasκevas

3:25	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	20	4	5	100%
		17	1	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	20	4	5	100%
		17	1	3	4	100%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
Bass	14	0	3	8	84%
Violins 1	25	0	6	6	81%
Alto	14	0	3	8	79%
Violins 2	22	0	5	8	77%
Soprano	16	1	4	7	73%
Violas	20	0	5	8	73%
Double Basses	23	11	6	7	70%
C Trumpet I, II	13	0	1	8	54%
Timpani	2	0	0	8	34%

Handel Sarabande Siebente Suite in g moll - HWV 432

pental

3:22	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare

edward.maurath

12:33	Est. Play Time
114	Measures
	1,315Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
Lute	17	1	3	2	100%
	17	1	3	2	100%
Celli	17	0	3	2	100%
Continuo	17	0	3	3	100%
Contrebaß	17	0	3	2	100%
Violas	16	0	5	3	100%
Violins	23	60	8	6	100%
Vln 2	23	60	8	4	100%
Flute	20	0	5	6	89%
Cornelia	15	0	5	7	88%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
Flute	15	0	3	4	75%
	17	2	3	4	75%
Esilena	16	0	6	4	71%
Cembalo (Continuo)	22	37	7	5	63%
	21	28	6	5	63%
Violoncello (Continuo)	18	0	3	5	63%
Contrabasses	14	0	0	5	43%
Violoncellos (Continuo)	14	0	0	5	43%

"Fredde ceneri d'amor, chelanguite in questo cor," act 2 of "Rodrigo," HWV 5 (1707)

edward.maurath

5:54	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	15	0	4	5	85%
Flute	16	0	5	5	67%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	15	0	4	5	85%
Flute	16	0	5	5	67%
	14	0	4	5	64%
Violins 1	16	0	5	5	67%
Florinda	16	0	6	5	66%
Violins 2	14	1	4	5	64%
Cembalo (Continuo)	15	16	4	5	24%
	4	2	0	2	5%
Harp (Continuo)	15	16	4	5	24%
	4	2	0	2	5%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
Cello	22	1	4	5	98%
Violone	22	1	4	5	98%
Violin 2	19	1	3	6	79%
Bassoon	17	0	4	4	78%
Oboi	15	2	2	5	77%
Viola	17	0	4	4	77%
Alti	11	1	2	5	75%
Violin 1	17	0	2	6	75%
Tenori	11	0	2	5	72%
Bassoon Continuo	22	0	4	4	72%
Bassi	16	0	3	4	63%
Soprani	13	0	2	5	63%

HWV56N03 Messiah "Every valley shall be exalted"

edward.maurath

4:39	Est. Play Time
84	Measures
	2,408Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
Bassoon Continuo	18	0	3	4	99%
Cello	18	0	3	4	99%
Violone	17	0	3	4	99%
Vln I	20	0	3	5	87%
Vln II	18	1	2	5	87%
Bassoon	16	0	2	3	86%
Vla	16	0	2	3	86%
Oboe	22	1	4	6	83%
Tenor	13	0	2	6	73%

"Il vostro maggio," from "Rinaldo," HWV 7

edward.maurath

3:46	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
Contrabasses	14	0	1	4	100%
Viola	12	0	2	5	100%
Violins 1	16	0	5	7	100%
Violins 2	12	0	2	5	100%
Violoncello	14	0	1	4	100%
Violoncellos	14	0	1	4	100%
Soprani	15	0	5	6	75%

Lament not thus, O Queen, in vain, from HWV 61, (1744)

edward.maurath

4:49	Est. Play Time
56	Measures
	1,157Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
Violoncello Continuo	21	0	4	5	98%
Daniel	12	1	3	5	84%
Double Bassi	16	0	1	5	41%
Violin	16	2	2	6	41%
Violoncelli	16	0	1	5	41%

HWV56N33 - Lift up your heads, O ye gates

edward.maurath

3:42	Est. Play Time
78	Measures
	1,474Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
Violin I	23	0	3	7	99%
Tenor	13	0	2	7	86%
Alti	8	0	1	7	84%
Organ Continuo	20	4	4	7	81%
	21	1	3	7	83%
Cello Continuo	22	0	4	7	83%
Violone Continuo	21	0	3	7	83%
Soprani	11	19	1	7	78%
Bassi	15	0	2	6	74%

HWV17A3N11Y1725 Sesto, "Sperai ne m'inganni"

edward.maurath

3:33	Est. Play Time
114	Measures
	1,491Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	23	29	7	9	69%
	19	2	4	7	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	23	29	7	9	69%
	19	2	4	7	99%
Cello	18	0	4	7	99%
Sesto	14	0	4	8	76%
Violini	20	0	4	9	70%
Violoncellos	17	0	3	7	68%
Violone	17	0	3	7	68%

HWV56N26 - All we like sheep have turnèd

edward.maurath

4:32	Est. Play Time
93	Measures
	2,332Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
Cello	26	0	7	4	100%
Contrabass	26	0	7	4	100%
Violin I	21	0	5	7	90%
Organ	22	9	7	8	87%
	23	10	7	6	82%
Violin II	25	0	7	8	87%
Soprano	17	0	4	6	85%
Tenore	15	0	4	6	83%
Alto	14	2	4	7	79%
Viola	20	0	5	6	79%
Basso	18	0	6	6	77%