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Handel

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo		19	19	6	6	77%
		23	9	6	8	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo		19	19	6	6	77%
		23	9	6	8	100%
Cembalo Continuo		17	8	5	6	65%
		23	34	7	8	100%
Contrebasso Continuo		20	0	5	5	91%
Violini		28	0	9	5	91%
Violoncello Continuo		20	0	5	5	90%
Castrato Alto as Bertarido		15	0	5	5	66%
Bassoon Continuo		21	0	5	4	65%
Viola		14	0	1	5	42%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	45	7	6	92%
		20	10	4	5	95%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	45	7	6	92%
		20	10	4	5	95%
Cello		17	0	3	5	95%
Juno		15	0	4	9	84%
Vln 1		20	0	4	5	80%
Violas		19	0	4	5	74%
Vln 2		21	0	6	3	70%
Celli		17	0	3	3	66%
Kontrebaß		17	0	3	3	66%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	7	6	5	94%
		25	11	8	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	7	6	5	94%
		25	11	8	7	100%
Contrabasses		22	0	8	7	100%
Violas		21	0	7	6	100%
Violoncellos		25	0	8	7	100%
Vln 1		25	0	9	6	100%
Vln 2		27	0	10	6	100%
Alto		15	0	5	4	87%
Tenor		15	0	5	4	87%
Bass		22	0	11	4	85%
Soprano		19	0	9	5	85%
Oboe		19	0	7	6	74%
		19	0	7	6	74%
Bassoon		23	0	8	5	74%

I Know That My Redeemer Lives

clcworship

3:25	Est. Play Time
96	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	18	2	8	100%
		17	10	1	7	91%
Voice		11	0	1	7	56%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	18	2	8	100%
		17	10	1	7	91%
Voice		11	0	1	7	56%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	82	10	7	98%
		19	7	6	5	81%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	82	10	7	98%
		19	7	6	5	81%
Violini Tutti		21	0	5	7	76%
Cleopatra		15	0	4	6	62%
Violoncello Continuo		18	0	4	5	61%
Oboe		12	0	1	7	59%
Contrabassi Continuo		17	0	2	5	51%
Violoncelli Continuo		17	0	2	5	51%
Bassoon Continuo		15	0	0	5	44%
Viole		10	0	0	5	34%
Bassoon Viola		10	0	0	5	16%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1		26	0	9	10	98%
Viola		18	1	5	9	96%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1		26	0	9	10	98%
Viola		18	1	5	9	96%
Vln 2		29	0	11	10	96%
VLN 3		20	2	6	9	91%
Harpsi		19	44	4	8	51%
		25	14	9	9	87%
Cello		23	0	8	9	87%
Kontrebaß		23	0	8	9	87%
OBO 1		22	1	8	10	83%
OBO 2		22	1	8	10	83%
Bassoon		23	0	8	9	79%
Organ		15	21	2	8	38%
		17	8	2	7	29%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	8	4	4	100%
		22	20	5	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	8	4	4	100%
		22	20	5	4	100%
Harp Continuo		20	18	5	4	100%
		21	13	4	4	100%
Violoncello Continuo		20	0	4	4	100%
Contrabassi Continuo		17	0	3	4	93%
Violini		19	0	5	3	93%
Violoncelli Contniuo		18	0	3	4	93%
Cornelia		14	0	4	7	76%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli		21	0	5	6	100%
Kontrbaß		21	0	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli		21	0	5	6	100%
Kontrbaß		21	0	5	6	100%
Cleopatra		15	0	2	8	88%
Vln 1		20	0	4	5	80%
Harpsichord		18	9	3	6	78%
		18	6	3	6	78%
Continuo		17	0	3	6	78%
Vln 2		20	0	4	5	64%
Flute		11	0	1	4	51%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	0	5	3	100%
		23	0	5	3	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	0	5	3	100%
		23	0	5	3	100%
Harp Continuo		23	0	5	3	100%
		23	0	5	3	100%
Contrabassi Continuo		23	0	5	3	100%
Violoncelli Continuo		23	0	5	3	100%
Violoncello Continuo		23	0	5	3	100%
Violini		18	0	4	5	95%
Cesare		11	0	2	5	78%
Bassi		8	0	0	2	4%
Contralti		9	10	0	2	4%
Soprani		5	0	0	2	4%

Cesare, "Non e si vago e bello" from HWV 17, (1724)

edward.maurath

4:10	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	8	6	4	100%
		21	16	6	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	8	6	4	100%
		21	16	6	4	100%
Harpsichord		20	8	6	4	100%
		22	17	6	4	100%
Celli		21	0	5	4	100%
Continuo		21	0	5	5	100%
Kontrebaß		21	0	5	4	100%
Violini		14	4	1	5	90%
Cesare		14	0	3	5	79%
Violas		11	0	0	4	16%

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