Play Along Piano

Tags

Handel

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

2:34	Est. Play Time
78	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Bass	15	0	2	6	74%
Soprano 1	8	0	1	5	21%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%