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Handel

HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)

edward.maurath

0:49	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	14	9	2	100%
		9	2	1	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	14	9	2	100%
		9	2	1	3	100%
Alto		10	0	4	3	100%
Violoncello		6	0	1	3	100%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		12	13	3	5	100%
		12	10	2	5	92%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		12	13	3	5	100%
		12	10	2	5	92%
Organ		12	13	3	5	100%
		12	10	2	5	92%
Soprano		8	1	1	5	77%
Bassoon		9	0	0	5	75%
		9	0	0	5	75%
Celli		7	0	0	5	75%
Kontrebaß		7	0	0	5	75%
Tenor		8	0	3	5	70%
Bass		9	0	0	5	67%
Viole		3	0	0	5	67%
Violini		12	0	2	5	67%
Oboe		9	0	2	5	55%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
Cello		16	1	0	6	96%
Semele		14	0	3	10	79%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
Oboe		17	0	3	9	92%
Harpsichord		20	29	3	7	85%
		17	7	3	6	88%
Contrabasses		16	0	3	6	88%
Violas		12	0	3	7	88%
Violins 1		19	0	4	7	88%
Violins 2		15	0	2	6	88%
Violins 3		13	0	1	6	88%
Violoncello Continuo		17	0	3	6	88%
Violoncellos		16	0	3	6	88%
Violoncello		18	0	3	6	85%
Almirena		13	0	3	8	54%

Handel Messias

raphael05

3:10	Est. Play Time
95	Measures
	2,721Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	2	5	100%
Harpsichord		29	155	4	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	2	5	100%
Harpsichord		29	155	4	5	100%
Viola		16	0	2	5	99%
Bassoon		20	0	2	5	98%
Violin I		20	0	1	6	98%
Tenor		13	0	1	5	96%
Violin II		21	0	3	5	96%
Bass		14	0	2	6	95%
Alto		13	0	2	5	92%
Oboe		12	0	0	5	87%
Soprano		12	0	0	5	87%
Trumpet I		11	0	1	5	64%
Trumpet II		7	0	0	5	52%
Timpani		2	0	0	5	51%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
Soprano		12	0	3	5	92%
Tenor		10	0	1	6	92%
Continuo		23	36	5	4	70%
		21	39	4	4	72%
Fagott, Bassoon		16	0	2	3	68%
Violins, Viola		13	0	1	3	68%
Violins, Violin I		13	0	3	5	68%
Violins, Violin II		13	0	2	3	68%
Violoncellos, Cello		16	0	2	3	68%
Oboe, Oboe		10	0	2	4	59%

La Réjouissance Handel music for the royal fireworks

Em Saintduloup

2:23	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Maxi		9	0	1	3	100%
Mini		7	0	1	1	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Maxi		9	0	1	3	100%
Mini		7	0	1	1	97%

xerxe's crude furie

StJohn Woollacott

2:11	Est. Play Time
79	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	5	5	96%
Violin		24	0	5	6	90%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	5	5	96%
Violin		24	0	5	6	90%
		17	0	2	5	90%
Viola		15	0	1	5	90%
Xerxe		14	0	3	7	78%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
B♭ Clarinet		23	0	5	10	96%
		6	0	1	5	4%
Flute		23	0	5	10	96%
		6	0	1	5	4%
Alto Saxophone		27	0	5	10	96%
Tuba		21	0	5	7	94%
Horn in F		22	0	5	9	92%
		22	0	5	8	89%
B♭ Trumpet		19	0	5	9	78%
		7	0	1	5	4%
Baritone		16	0	4	7	67%
Bassoon		7	0	1	5	4%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		15	0	4	5	100%
Almira		14	0	3	6	52%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		15	0	4	5	100%
Almira		14	0	3	6	52%
Fernando		14	0	4	6	46%
Harp		19	25	6	4	42%
		13	11	3	4	42%
Harpsi		16	17	4	3	33%
		17	15	5	3	33%
Lute		17	17	6	2	25%
		21	15	7	2	29%
Osman		11	0	1	3	17%

HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo		10	0	1	3	100%
Violoncello (Continuo)		6	0	0	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo		10	0	1	3	100%
Violoncello (Continuo)		6	0	0	3	100%
Cembalo (Continuo)		10	13	2	4	92%
		10	6	1	5	92%

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