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J.S. Bach

Air, orchestral suite nº3, Johan Sebastian Bach

davidcianorris

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.

Gertim

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
Mellophone 3		11	0	2	6	100%
Trombone		25	0	8	3	100%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Air ('on the G string')

Shoichi

3:36	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
Guitar		26	14	8	5	97%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
Continuo.		27	0	10	5	97%
Fagotti.		27	0	10	5	97%
Violone.		27	0	10	5	97%
Flauto traverso I.		22	0	7	5	93%
Flauto traverso II.		22	0	6	5	93%
Violino I.		21	0	3	6	87%
Oboe I.		19	0	4	6	86%
Oboe II.		18	0	5	6	86%
Violino II.		20	0	5	6	86%
Viola.		16	0	3	5	85%
Soprano I.		15	0	3	4	65%
Alto I.		15	0	4	4	65%
Soprano II.		18	0	5	4	63%
Alto II.		15	0	3	4	63%
Tenore I.		14	0	2	5	63%
Tenore II.		13	0	2	4	63%
Basso I.		19	0	6	4	62%
Basso II.		20	0	7	4	58%
Tromba I.		11	0	0	4	50%
Tromba II.		10	0	0	4	48%
Timpani.		2	0	0	4	38%
Tromba III.		7	0	0	5	38%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
Tenor		11	0	5	4	100%
Tenor/Bass		21	0	10	4	100%
B♭ Trumpet		12	11	4	8	71%
Timpani		2	0	0	5	71%
Alto		11	0	4	5	50%
Bass		13	0	6	4	50%
Contrabass		15	0	6	4	50%
Violoncello		15	0	6	4	50%

238. Mach's mit mir, Gott, nach deiner Güt' (Wohl dem, der sich auf seinen Gott). BWV 139/6.

SDG

0:46	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		13	0	2	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		15	0	2	3	100%
Contrabass		13	0	2	2	50%

189. Jesu, der du selbst so wohl. BWV 355.

SDG

0:53	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	5	100%
Tenor/Bass		19	0	3	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	5	100%
Tenor/Bass		19	0	3	5	100%
Contrabass		13	0	1	3	50%

131. Herr Gott, dich loben alle wir. BWV 130/6

SDG

0:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		8	0	0	4	100%
Oboe I		8	0	0	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		8	0	0	4	100%
Oboe I		8	0	0	4	100%
Soprano		8	0	0	4	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	2	4	100%
Viola		8	0	0	4	100%
Violin I		8	0	0	4	100%
Timpani		2	0	0	2	71%
C Trumpet		12	0	0	3	68%
Oboe II		8	0	2	4	50%
Violin II		8	0	2	4	50%
Contrabass		17	0	2	3	46%
Violoncello		17	0	2	3	46%

J.S. Bach: Magnificat in D Major, BWV 243 - XII. Gloria Patri

Samuel Ricke

2:29	Est. Play Time
42	Measures
	1,318Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	26	4	8	86%
		18	0	3	7	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	26	4	8	86%
		18	0	3	7	100%
Fagotti.		18	0	3	7	100%
Organo e Continuo.		18	0	3	7	100%
Violone.		18	0	3	7	100%
Alto.		15	0	4	9	88%
Tenore.		15	0	4	9	86%
Soprano I.		15	0	5	9	83%
Soprano II.		16	0	4	9	81%
Basso.		18	0	5	9	79%
Flauto traverso I.		17	0	1	8	69%
Flauto traverso II.		17	0	2	8	69%
Oboe I.		11	0	0	8	69%
Oboe II.		14	0	2	8	69%
Violino I.		11	0	1	8	67%
Violino II.		15	0	1	8	67%
Viola.		14	0	0	7	62%
Timpani in D.A.		2	0	0	4	48%
Tromba I.		9	0	1	6	48%
Tromba II.		9	0	0	6	48%
Tromba III.		9	0	0	6	48%

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