Play Along Piano

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J.S. Bach

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		19	1	4	6	100%
		19	1	4	6	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		19	1	4	6	100%
Contrabass		15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
		18	0	3	2	100%
		18	0	3	2	100%
Soprano/Alto		13	0	2	2	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		11	0	2	2	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		15	0	3	5	100%
		15	0	3	5	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	5	100%
Contrabass		11	0	2	3	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.

SDG

0:37	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
		21	0	5	5	100%
		21	0	5	5	100%
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		15	0	2	3	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		20	0	3	3	100%
		20	0	3	3	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		20	0	3	3	100%
Contrabass		15	0	2	3	54%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

216. Ist Gott mein Schild und Helfersmann. BWV 85 #6.

SDG

0:45	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		21	0	4	2	100%
Contrabass		14	0	2	2	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		21	0	4	2	100%
Contrabass		14	0	2	2	52%

218. Komm, Gott Schöpfer, heiliger Geist. BWV 370

SDG

0:24	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

339. Was Gott thut, das ist wohlgethan. BWV 250.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		17	0	2	4	100%
Horn in F		10	0	1	4	97%
extra Bass		12	0	1	3	55%
Contrabass		11	0	1	3	50%
extra Alto		11	0	2	3	50%

132. Herr Gott, dich loben alle wir (Für deinen Thron tret' ich hiermit). BWV 327.

SDG

0:43	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		15	0	2	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		15	0	2	2	100%
Contrabass		12	0	2	2	50%
Violoncello		12	0	2	2	50%

234. Lobt Gott, ihr Christen allzugleich. BWV 376.

SDG

0:01	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		15	0	2	4	100%
Contrabass		12	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	4	100%
Tenor/Bass		15	0	2	4	100%
Contrabass		12	0	2	3	50%

176. Ich dank' dir, lieber Herre. BWV 347.

SDG

1:00	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
Flauto traverso II.		18	0	3	5	92%
Oboe I.		17	0	3	6	92%
Oboe II.		15	0	4	6	92%
Viola.		18	0	4	3	92%
Violino I.		23	0	5	3	90%
Violino II.		20	0	5	4	90%
Tromba in D.		12	0	1	6	80%
		11	0	1	3	64%
		13	0	1	5	64%
Timpani in D.A.		2	0	0	3	61%
Soprano I.		13	0	3	5	48%
Soprano II.		14	0	2	7	47%
Alto.		15	0	4	5	46%
Tenore.		12	0	2	5	44%
Basso.		17	0	3	4	41%

237. Mach's mit mir, Gott, nach deiner Güt'. BWV 377.

SDG

0:46	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	3	100%
Tenor/Bass		17	0	2	3	100%
Contrabass		14	0	2	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	3	100%
Tenor/Bass		17	0	2	3	100%
Contrabass		14	0	2	2	50%

193. Jesu Leiden, Pein und Tod. BWV 245.28.

SDG

0:53	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		16	0	3	3	100%
Contrabass		11	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		16	0	3	3	100%
Contrabass		11	0	2	3	50%

99. Freu dich sehr, o meine Seele. BWV 19/7.

SDG

1:31	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		15	0	4	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		15	0	4	4	100%
B♭ Trumpet		12	14	4	4	92%
Timpani		2	0	0	2	69%
Contrabass		11	0	3	4	50%

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