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Play Time: 1:00 - 1:30
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Unique Accidentals: > 4
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J.S. Bach
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
30. Aus meines Herzens Grunde, BWV 269.
SDG
1:20 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
Bass 14 0 0 5 100%
Bass 14 0 0 5 100%
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Contrabass Bass 9 0 0 4 50%
 
378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.
SDG
1:05 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
9 0 0 4 100%
Soprano Treble 8 0 0 2 100%
Treble 8 0 0 2 100%
8 0 0 2 100%
Bass Bass 14 0 2 3 100%
Bass 14 0 2 3 100%
Tenor Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
Basso. Bass 14 0 2 3 100%
Continuo. Bass 14 0 2 3 100%
Corno
I.		 Treble 8 0 0 2 100%
Corno
II.		 Treble 10 0 1 5 100%
Oboe
di
caccia
I.		 9 0 0 4 100%
Oboe
di
caccia
II.		 9 0 0 4 100%
Tenore 9 0 0 4 100%
Viola. 9 0 0 4 100%
Violino
I.		 Treble 8 0 0 2 100%
Violino
II.		 Treble 9 0 0 4 100%
Violoncello Bass 14 0 2 3 100%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia
Samuel Ricke
1:28 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
Continuo. Bass 16 0 4 5 100%
Viola
I.		 11 0 2 4 100%
Viola
II.		 14 0 4 5 100%
Violino
I.		 Treble 16 0 4 7 100%
Violino
II.		 Treble 12 0 3 5 100%
Violone. Bass 16 0 4 5 100%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%