Play Along Piano

Tags

J.S. Bach

389. Wo Gott zum Haus nicht gibt sein' Gunst. (Ps. 127), BWV 438, J.S. Bach, Klug

SDG

0:23	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		15	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		15	0	2	4	100%

7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6

SDG

0:45	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		20	0	6	5	100%
Contrabass		14	0	4	4	50%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
Contrabass		20	0	6	4	50%
Alto		2	0	0	1	6%

11. Ach wie flüchtig, ach wie nichtig, BWV 26.6

SDG

0:32	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	4	3	100%
		15	0	4	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	4	3	100%
		15	0	4	3	100%
		26	0	8	3	100%
		26	0	8	3	100%
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		26	0	8	3	100%
Contrabass		21	0	6	3	50%

38. Christ lag in Todesbanden. BWV 277.

SDG

0:58	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		23	0	7	6	100%
		23	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		23	0	7	6	100%
Contrabass		15	0	5	5	50%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	5	4	100%
Tenor/Bass		21	0	9	4	100%
Contrabass		17	0	7	4	50%

73. Durch Adams Fall ist ganz verderbt, Cantate 18, no. 5, 'Gleich wie der Regen und Schnee, BWV 18.5. J.S. Bach

SDG

0:57	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		19	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		19	0	5	5	100%

14. Allein Gott in der Höh' sei Ehr', BWV 112.5.

SDG

0:53	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		18	0	5	4	100%
		18	0	5	4	100%
Violin		8	0	2	4	50%
		6	0	1	5	100%
Horn in F		8	0	0	5	100%
Oboe		6	0	1	5	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		18	0	5	4	100%
Viola		9	0	1	4	100%
Oboe col Alto		9	0	2	4	70%
Contrabass		12	0	4	2	50%
Violoncello		12	0	4	2	50%

85. Erstanden ist der heil'ge Christ. BWV 306. J.S. Bach.

SDG

0:39	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		12	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		12	0	2	4	50%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.

Samuel Ricke

0:53	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	0	4	6	100%
		22	0	6	6	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	0	4	6	100%
		22	0	6	6	100%
Alto.		8	0	1	5	100%
Basso.		15	0	5	6	100%
Continuo.		15	0	5	6	100%
Cornetto.		11	0	3	4	100%
Soprano.		11	0	3	4	100%
Tenore.		12	0	3	4	100%
Trombone I.		8	0	1	5	100%
Trombone II.		12	0	3	4	100%
Trombone III.		15	0	5	6	100%
Viola I.		8	0	1	5	100%
Viola II.		12	0	3	4	100%
Violino I.II.		11	0	3	4	100%
Violone.		15	0	5	6	100%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
		16	0	2	4	100%
		16	0	2	4	100%
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Oboe		8	0	1	4	85%
Contrabass		10	0	1	2	50%

216. Ist Gott mein Schild und Helfersmann. BWV 85 #6.

SDG

0:45	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		21	0	4	2	100%
Contrabass		14	0	2	2	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		21	0	4	2	100%
Contrabass		14	0	2	2	52%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
Oboe		10	0	2	5	45%
		7	0	1	4	100%
Violin		11	0	2	5	45%
		7	0	1	4	100%
C Trumpet		12	0	1	4	95%
Soprano/Alto		15	0	3	5	95%
Contrabass		13	0	0	4	91%
Viola		13	0	3	4	91%
Violoncello		13	0	0	4	91%
Tenor/Bass		18	0	3	6	86%
Timpani		2	0	0	4	82%

87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
Contrabass		16	0	3	3	51%
Violoncello		16	0	3	3	51%

217. Keinen hat Gott verlassen. BWV 369

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	4	50%

218. Komm, Gott Schöpfer, heiliger Geist. BWV 370

SDG

0:24	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		16	0	1	4	100%
Contrabass		10	0	0	3	50%

339. Was Gott thut, das ist wohlgethan. BWV 250.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		17	0	2	4	100%
Horn in F		10	0	1	4	97%
extra Bass		12	0	1	3	55%
Contrabass		11	0	1	3	50%
extra Alto		11	0	2	3	50%

103. Freu' dich sehr, o meine Seele (Tröstet, tröstet meine Lieben). BWV 30/6.

SDG

0:58	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

242. Meinen Jesum lass' ich nicht. BWV 380.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

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