Play Along Piano

Tags

Opera

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
Belcore	16	0	3	6	63%
Basse	7	0	1	5	38%
Ténor 1	8	0	1	5	36%
Ténor 2	8	0	1	5	32%
Soprano 1	7	0	1	4	16%
Soprano 2	6	0	2	4	16%
Nemorino	5	0	1	4	4%

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

Lakmé. Acte 1, scène 1

FranckM.

5:49	Est. Play Time
136	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
Ténors	19	8	2	7	40%
Sopranos	13	12	2	6	39%
Basses	13	4	1	7	34%
NILAKANTHA	15	0	6	8	30%
LAKME	12	0	2	9	23%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
B	12	0	2	8	63%
T	14	0	3	8	62%
A	11	0	1	8	28%
S	13	0	2	8	28%
g	2	0	0	1	26%

William Tell Overture

mike320

15:40	Est. Play Time
453	Measures
	9,161Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
2 Bassoons	30	40	12	7	79%
Contrabasses	27	0	13	8	78%
Violas	27	58	14	5	78%
2 A Clarinets	30	61	15	6	72%
Violins I	40	10	22	9	71%
2 Horns in E	17	22	5	7	66%
Timpani	2	0	0	6	60%
Flute	29	0	14	10	59%
2 Horns in G	12	12	4	7	56%
2 Oboes	30	52	15	6	53%
E Trumpet	10	8	0	7	50%
Piccolo	27	0	13	8	49%
Bass Trombone	23	0	10	6	48%
2 Trombones	23	1	9	6	40%
English Horn	16	0	4	6	9%
Violoncello Soli	11	0	6	6	8%
	12	0	5	6	8%
	15	0	5	6	8%
	31	0	14	9	9%
	9	0	3	8	8%

The Barber of Seville Overture

mike320

7:30	Est. Play Time
265	Measures
	5,916Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
Violins II	33	45	14	11	93%
Contrabasses	33	0	11	9	91%
Violins I	34	25	15	13	88%
Flutes	25	0	7	11	66%
Bassoons	23	19	9	9	60%
Oboes	24	40	10	9	56%
Flute	21	0	9	10	50%
Horn in E	13	7	3	9	45%
C Clarinet	24	30	8	10	41%
Timpani	5	0	1	5	35%
A Trumpet	7	6	0	6	35%
Trombone	17	0	4	5	25%
A Clarinet	19	24	5	10	25%
Horn in G	14	4	2	5	16%

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

Richard Wagner - ENDE.zu.GOTTERDAMMERUNG in Full score. {Unfinished.}

Jamie Holdham

6:13	Est. Play Time
185	Measures
	8,121Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
View all 40 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
Violoncelle.	38	0	31	14	89%
Violoncellos	38	0	31	13	89%
Violins	35	29	29	13	89%
Violinen.	42	6	34	13	78%
Horn in F	25	20	23	12	71%
Horner.	23	21	19	12	69%
Oboe	22	1	19	12	59%
	26	4	16	12	68%
Hoboen.	24	0	16	12	67%
Clarinetten. (B)	30	1	20	12	56%
Contrabasse.	27	0	18	9	55%
B♭ Clarinet	31	0	24	12	51%
	26	22	17	12	53%
Bassoon	22	1	16	9	50%
	28	0	18	13	47%
Fagotte.	22	0	15	10	50%
4 Posaunen.	22	6	12	10	47%
Tenor Trombone	22	14	12	11	44%
Flute	12	0	8	10	27%
	22	4	15	12	42%
Trompetten.	18	0	14	10	37%
Floten.	17	4	12	11	37%
Englishes Horn.	17	0	11	11	36%
C Trumpet	21	0	14	9	31%
	15	0	11	10	20%
Pauken.	10	0	5	5	30%
Bass Trompetten.	12	0	9	7	26%
6 Harfen.	28	9	14	7	23%
	25	13	13	6	24%
Trombone	19	1	10	11	23%
Harp	26	12	12	6	21%
	26	13	13	6	22%
Contrabass Tuben.	19	0	10	6	20%
4 Tuben.	12	1	8	6	19%
Timpani	7	0	4	6	19%
Kleinen Floten.	20	0	11	8	18%
Tuba	22	4	9	6	16%
Bass Clarinetten.	24	0	13	8	14%

[W.I.P] Noah en Morphos - Openning (Work in Progress)

Corbyn Greengrass

1:33	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
	22	15	1	7	55%
	22	15	2	7	94%
Célesta	18	8	2	6	61%
	1	0	0	1	3%
Clarinette Basse	18	0	3	7	55%
Timbales	5	0	0	5	39%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Introduccion_y_gran_aire_Marcial_de_la_Opera_de_las_Treguas

rufinb

5:26	Est. Play Time
139	Measures
	3,021Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
Contrabasses	16	0	4	8	97%
Violins I	32	9	12	9	97%
Violins II	28	28	10	8	97%
Bassoons	24	0	7	9	95%
Horns in E♭	14	0	4	9	92%
Clarinets in B♭	20	0	6	9	86%
Trumpets in E♭	18	0	6	8	84%
Ophicleide or Tuba	15	0	4	7	82%
Oboes	21	0	6	9	78%
Flutes	16	0	5	9	70%
E♭ Trumpet 2	10	0	0	5	13%
Horn in E♭2	8	0	1	6	9%

Wagner - Gotterdammerung Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

4:12	Est. Play Time
43	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%

ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions

Kevfun3

7:19	Est. Play Time
241	Measures
	7,025Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
Piano, PIANO II	30	0	10	8	93%
	16	4	6	6	46%
Piano, Piano III	26	23	9	9	97%
Piano, Piano IV	21	0	6	6	93%
Piano, Piano V	21	0	6	6	90%
Glockenspiel Alto Orff, Glockenspiel	23	0	9	7	67%
Célesta, Celesta III	25	49	9	9	66%
Marimba (double portée), Marimba	28	0	9	2	64%
	11	1	3	1	11%
Clavecin, Harpischord I	19	11	5	7	62%
Harpe, Harp	26	7	9	6	60%
Célesta, Celesta II	24	43	9	8	55%
Célesta, Celesta I	21	0	8	9	52%
Carillons, Tubular Bells	19	1	6	2	44%
Xylophone, Xylophone	13	7	3	1	11%
	30	0	9	3	43%
Clavecin, Harpischord II	8	7	3	6	34%
Orgue, Organ I	17	0	5	4	27%
Orgue, Organ II	15	1	4	5	27%