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Opera

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
Belcore	16	0	3	6	63%
Basse	7	0	1	5	38%
Ténor 1	8	0	1	5	36%
Ténor 2	8	0	1	5	32%
Soprano 1	7	0	1	4	16%
Soprano 2	6	0	2	4	16%
Nemorino	5	0	1	4	4%

Flight_of_the_Bumble-Bee

Nevin Williams

1:15	Est. Play Time
103	Measures
	1,477Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
	26	4	11	3	81%
Violoncello	19	9	6	3	75%
Flute	31	20	14	3	72%
A Clarinet	18	6	7	2	24%
	27	9	11	2	60%
Bassoon	20	26	6	3	50%
Contrabass	14	0	3	2	48%
Horn in F	1	0	0	1	1%
	9	7	1	3	29%
Oboe	8	5	0	3	18%
English Horn	4	0	1	2	6%
B♭ Bass Trumpet	2	1	1	1	1%
Timpani	1	0	0	1	1%
Trombone	2	1	0	1	1%
Tuba	2	1	0	1	1%

Gounod, Faust: Choeur des soldats (1st part)

Mélisande

1:07	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
B1	13	0	5	8	91%
B2	11	0	1	8	91%
T1	15	0	4	8	91%
T2	15	0	6	8	91%

HWV8A1N3 - "Ah! Infelice mia patria," Act 1

edward.maurath

1:25	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
Amarilli	13	0	5	3	100%
Violoncello	11	0	5	3	100%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois

Papibois

1:13	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2	30	47	10	5	100%
	25	18	7	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2	30	47	10	5	100%
	25	18	7	7	100%
Basse 1	10	0	1	6	81%
Basse 2	11	0	1	6	81%
Soprano 1	12	0	1	6	81%
Soprano 2	13	0	2	6	81%
Ténor 1	11	0	0	6	81%
Ténor 2	9	0	1	6	81%

HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato

edward.maurath

1:29	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
Viola	11	0	3	4	100%
Viole	11	0	3	4	100%
Violin	13	19	4	4	100%
Violini	13	19	4	4	100%
Violoncelli (Continuo)	10	0	2	4	100%
Violoncello	10	0	2	4	100%
Violoncello (Continuo)	10	0	2	4	96%
Rodrigo	13	0	5	3	91%
Cembalo (Continuo)	18	26	7	5	88%
	18	15	6	6	79%

"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"

edward.maurath

1:17	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	15	0	5	5	100%
	15	0	5	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	15	5	5	100%
	15	5	5	100%
Harpsichord	15	5	5	100%
	15	5	5	100%
Celli	15	5	5	100%
Kontrebaß	15	5	5	100%
Violas	12	5	5	100%
Vln 1	13	6	5	100%
Vln 2	10	4	5	100%
Cleopatra	14	6	3	95%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
Harp	15	17	7	4	55%
	15	15	12	4	57%
Harpsichord	10	11	3	3	48%
	15	13	8	3	52%
Cornelia	12	0	4	4	48%