Play Along Piano

Tags

Opera

Overture

BelCantoOpera

6:16	Est. Play Time
177	Measures
	1,908Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	0	6	69%
Violins 1	20	0	0	7	64%
View all 22 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	69%
Violins 1	20	0	7	64%
Violas	18	0	8	63%
Violins 2	21	0	5	61%
Double Basses	16	0	6	59%
Flute	11	0	5	18%
	14	0	7	34%
B Trumpet	11	4	9	25%
	15	5	7	18%
Trombone	14	0	7	24%
	4	0	2	4%
Oboe	10	0	5	7%
	14	0	6	22%
Horn	12	2	6	21%
	10	1	4	19%
Bassoon	14	0	7	16%
	10	0	7	10%
B Clarinet	11	4	4	10%
	10	2	4	10%
Timpani	4	0	2	9%
F Tuba	3	0	2	2%
Piccolo	3	0	2	2%

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

J.W. Goethe - Faust I (Ouvertüre)

Pretasoc

12:56	Est. Play Time
278	Measures
	5,829Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
Violins 2	17	0	0	7	65%
Violas	18	0	1	6	62%
Contrabass	16	0	2	8	51%
Flute	18	0	3	10	46%
Oboe	16	0	2	9	43%
C Trumpet	21	0	2	8	38%
Bass Clarinet	14	0	1	7	35%
Piccolo	13	0	1	9	29%
C Tuba	14	0	1	7	28%
Soprano	13	0	0	6	27%
B Clarinet	17	0	3	7	27%
Bassoon	12	0	1	8	27%
English Horn	13	0	0	7	25%
Alto	9	0	0	5	24%
Tenor	14	0	0	6	24%
Trombone	15	0	0	8	24%
Bass	10	0	0	5	22%
Violin	22	0	1	8	18%
Timpani	6	0	1	6	10%
Mephistoles	5	0	0	5	2%

Treemonisha Act 3

mike320

34:28	Est. Play Time
829	Measures
	9,515Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	404	29	12	98%
	45	169	32	10	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	404	29	12	98%
	45	169	32	10	92%
Tenor	5	0	2	5	2%
	22	0	14	8	47%
Soprano	26	0	15	8	41%
	18	0	8	6	29%
Bass	23	3	14	8	39%
	7	0	0	4	2%
Alto	22	0	11	8	33%
	11	0	5	6	6%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

Wagner - Waldweben. (Forest Murmurs.) {Professional production full score.}

Jamie Holdham

8:32	Est. Play Time
220	Measures
	6,105Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	10	0	0	5	6%
	35	14	15	11	74%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	10	0	0	5	6%
	35	14	15	11	74%
Violoncellos	10	0	0	5	10%
	16	0	2	6	15%
	34	1	13	10	74%
Violins	26	1	8	10	40%
	35	11	15	8	73%
	27	0	8	10	44%
4 HORNER.	26	22	16	9	65%
Horn in D	26	26	15	9	61%
1.	39	5	18	12	59%
2 CLARINETTEN.	29	1	11	11	52%
VIOLONCELLE.	33	1	8	9	52%
BRATSCHEN.	29	0	12	8	51%
2 FAGOTTE.	28	19	13	10	44%
2 HOBOEN.	20	1	6	12	43%
Contrabasses	14	0	6	6	37%
CONTRABASSE.	25	0	9	6	36%
2. grosse FLOTE.	19	0	4	11	35%
Oboe	21	0	8	11	22%
A Clarinet	21	0	8	11	20%
VIOLINEN.	25	0	6	6	12%
2 TROMPETTEN.	6	0	0	7	11%
Glockenspiel.	8	0	0	6	9%
2. kleine FLOTE.	13	0	2	8	8%
E Trumpet	7	0	0	7	8%
Flute	12	0	3	7	7%
Pauken.	2	0	0	3	5%
2.	11	0	1	5	5%
3 POSAUNEN u. TUBA.	3	0	0	3	2%
Trombone	4	2	0	3	2%
Tuba	1	0	0	1	0%

9. Love and Laughter

aamann

6:20	Est. Play Time
148	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	53	9	7	96%
	27	37	9	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	53	9	7	96%
	27	37	9	5	100%
Sofia	14	0	2	6	80%
Alto	8	0	0	4	15%
Bass	8	0	0	4	15%
Soprano	9	0	0	4	15%
Tenor	8	0	0	4	15%

"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
Violoncello (Continuo)	19	0	3	5	100%
Soprano as Mirtillo	17	0	6	6	76%
Contrabassi (Continuo)	7	0	0	5	10%
Viole	9	0	0	4	10%
Violini 1	9	0	0	5	10%
Violini 2	10	0	0	4	10%
Violoncelli (Continuo)	7	0	0	5	10%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
Harp Continuo	23	0	5	3	100%
	23	0	5	3	100%
Contrabassi Continuo	23	0	5	3	100%
Violoncelli Continuo	23	0	5	3	100%
Violoncello Continuo	23	0	5	3	100%
Violini	18	0	4	5	95%
Cesare	11	0	2	5	78%
Bassi	8	0	0	2	4%
Contralti	9	10	0	2	4%
Soprani	5	0	0	2	4%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%