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Opera

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
	12	17	3	6	37%
	12	6	2	7	74%
	16	5	1	7	86%
	19	15	8	8	97%
	13	7	2	5	31%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Boris Godunov Act IV Scene II

d-klenin

2:32	Est. Play Time
76	Measures
	1,661Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
Violinen	23	4	8	8	67%
	28	1	11	7	67%
Violas	24	17	10	7	64%
Violoncellos	22	5	8	8	62%
B Klarinette	27	24	9	6	61%
	25	4	10	4	58%
C Tuba	20	16	9	5	60%
Fagott	29	25	12	6	60%
Kontrabasse	18	0	6	8	58%
Bass	19	12	6	7	57%
Oboe	22	13	9	7	52%
Posaune	16	19	5	5	49%
Tenor	17	11	6	5	49%
Trompete in F	13	1	5	5	47%
B Trompete	19	18	8	5	46%
Flöte	17	0	7	4	42%
	15	7	8	5	34%
Pauke	3	0	0	5	33%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Rienzi Overture to Akt 1. Professional production full score. [Unfinished.]

Jamie Holdham

2:48	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	16	0	5	4	72%
Violoncelli.	20	0	5	7	72%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	16	0	5	4	72%
Violoncelli.	20	0	5	7	72%
Fagotti.	11	7	2	4	45%
Corni ordin. in D.	6	1	0	3	43%
Viole.	11	5	1	3	41%
Clarinetti in C.	9	0	1	2	39%
Flauti.	7	0	0	3	39%
Violini.	9	0	0	6	36%
Violins	9	0	0	6	36%
Oboi.	8	2	0	3	34%
Serpent.	9	0	1	3	32%
Corni ventile in G.	8	5	1	3	29%
Trombe ventile in D.	1	0	0	2	24%
Timpani in D u. A.	1	0	0	1	8%

K 492: Number 24, "Il caproro e la caprella,"

edward.maurath

3:13	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
Violas	17	0	3	9	99%
Celli	19	0	6	5	98%
Contrabasses	16	0	4	4	90%
Marcellina	14	0	3	11	79%
Harpsichord	11	9	0	4	28%
	13	7	1	4	29%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

Wagner - Tristan und Isolde Einleitung to Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,075Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%