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Measures: 20 - 35
Play Time: 1:00 - 1:30
Play Time: > 3:20
Unique Notes: > 20
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Opera
Les Huguenots Act V Trio - Bass Clarinet Solo
Aphrion
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Clarinet		 Treble 21 0 5 10 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Clarinet		 Treble 21 0 5 10 100%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
Mozart : Die Zauberflöte : In diesen Heiligen Hallen
Haricophile
3:22 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 48 1 6 100%
Bass 29 34 2 4 89%
Basse Bass 13 0 1 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 48 1 6 100%
Bass 29 34 2 4 89%
Basse Bass 13 0 1 5 91%
 
Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)
edward.maurath
4:25 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Harp (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Violoncello (Continuo) Bass 25 0 8 7 100%
Evaneo 15 0 5 6 97%
 
"Perchè viva" from HWV 5, "Rodrigo" (1707)
edward.maurath
3:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 20 65 8 6 100%
Bass 22 32 6 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 20 65 8 6 100%
Bass 22 32 6 6 100%
Violoncello (Continuo) Bass 22 0 6 6 100%
Esilena 17 0 7 7 73%
Contrabassi (Continuo) Bass 15 0 1 4 18%
Violins
1		 Treble 15 0 2 8 18%
Violins
2		 Treble 14 0 2 6 18%
Violas 10 0 1 6 15%
Violoncelli (Continuo) Bass 16 0 1 4 15%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)
edward.maurath
3:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
Harp Continuo Treble 22 28 5 7 100%
Bass 23 34 5 7 100%
Violoncello Continuo Bass 20 0 4 7 100%
Sesto Treble 14 0 3 8 83%
Contrabassi Continuo Bass 9 0 0 4 8%
Violini Treble 9 0 0 6 8%
Violoncelli Continuo Bass 9 0 0 4 8%