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Measures: 35 - 60
Unique Chords: None
Unique Notes: 11 - 15
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Opera
Gounod, Faust: Choeur des soldats (1st part)
Mélisande
1:07 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 48 8 6 84%
Bass 24 35 7 6 71%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 48 8 6 84%
Bass 24 35 7 6 71%
B1 Bass 13 0 5 8 91%
B2 Bass 11 0 1 8 91%
T1 Treble 15 0 4 8 91%
T2 Treble 15 0 6 8 91%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
Violin
1		 Treble 14 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Dorinda 11 0 2 6 77%
Contrabasses Bass 13 0 2 4 64%
Violoncellos Bass 13 0 2 4 64%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]
Jamie Holdham
1:24 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
Violoncelle. Bass 25 2 8 7 100%
2
FAGOTTE.		 29 15 10 6 98%
1.
VIOLINEN.		 Treble 22 12 4 5 96%
4
HORNER
in
F.		 Treble 17 0 5 6 96%
Contrabasse. Bass 19 0 6 6 96%
Horn
in
F		 Treble 14 0 4 6 88%
3
POSAUNEN.		 13 0 4 6 82%
2
HOBOEN.		 Treble 17 0 5 4 82%
BASS-TUBA. Bass 23 0 5 6 79%
2
CLARINETTEN. in
B.		 Treble 15 0 4 4 77%
1
und
2
(F). 3
TROMPETTEN. 3
(C).		 Treble 12 2 1 6 77%
Bass
Trombone		 Bass 14 0 2 6 68%
PAUKEN
(C
u.G).		 Bass 2 0 0 2 29%
2
GROSSE
FLOTEN.		 Treble 7 0 1 2 25%
C
Trumpet		 Treble 5 0 0 4 25%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Ténor
1		 Treble 13 0 2 4 93%
Ténor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 4 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 0 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 72%
 
Hymn to Champagne
nomadicmathmo
1:16 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 3 6 100%
Bass Bass 14 0 1 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 3 6 100%
Bass Bass 14 0 1 6 100%
Soprano Treble 13 0 1 6 100%
Tenor Treble 13 4 1 6 100%