Play Along Piano

Tags

Opera

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
	23	1	9	2	100%
Electric Bass	20	0	6	2	100%
Violoncello	18	0	3	3	77%
Contrabass	18	0	3	2	75%
Christine	29	0	3	7	57%
Electric Guitar	35	20	11	9	40%
Phantom	20	0	3	5	36%
Violin 1	25	0	3	7	30%
B♭ Trumpet 1	16	0	6	6	19%
Trombone 1	13	0	5	6	19%
Violin 2	24	0	3	7	17%
B♭ Trumpet 2	16	0	4	6	16%
F Horn 1 amp;amp; 3	13	0	6	4	12%
Viola	9	0	1	6	12%
Timpani	5	0	0	2	12%
Flute 1	9	0	3	6	11%
Trombone 2	11	0	4	5	11%
Flute 2	9	0	2	6	9%
F Horn 2 amp;amp; 4	13	0	5	4	7%
Tuba	12	0	3	4	7%
Oboe 1	8	0	2	6	7%
B♭ Clarinet 1	10	0	2	4	5%
B♭ Clarinet 2	7	0	2	4	5%
Bassoon 1	8	0	2	4	5%
Bassoon 2	10	0	2	4	5%
Oboe 2	10	0	3	4	5%

Papageno-Papagena Duett

ArmandoTinajero

2:23	Est. Play Time
130	Measures
	1,091Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	41	2	6	100%
		27	26	3	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	41	2	6	100%
		27	26	3	7	100%

Verdi, Rigoletto: Act 2 - Parmi veder le lagrime

Mélisande

4:35	Est. Play Time
88	Measures
	2,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
Altos, Violas	22	15	9	8	89%
Contrebasses	21	0	10	9	89%
Violoncelles	21	0	10	9	89%
Duc	19	0	9	15	70%
Hautbois	14	3	3	6	22%
Basson	12	9	2	5	18%
Clarinette Basse	11	2	2	6	18%
Flûte	7	0	1	6	5%

Lakmé. Acte 1, scène 1

FranckM.

5:49	Est. Play Time
136	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
Ténors	19	8	2	7	40%
Sopranos	13	12	2	6	39%
Basses	13	4	1	7	34%
NILAKANTHA	15	0	6	8	30%
LAKME	12	0	2	9	23%

Questing Song

Zwink, Tyler

2:32	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	2	6	86%
	14	0	3	6	63%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	2	6	86%
	14	0	3	6	63%
Bass	11	4	2	5	66%
Soprano	11	1	0	7	60%
Alto	10	1	0	6	57%

Pa... pa... pa...

Alex Cook1

2:23	Est. Play Time
129	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
Papagena	13	0	1	6	78%
Papageno	11	0	2	6	78%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
	12	17	3	6	37%
	12	6	2	7	74%
	16	5	1	7	86%
	19	15	8	8	97%
	13	7	2	5	31%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

Happy Day

Peter Gostelow

3:16	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	17	0	4	7	93%
Lead Guitar	15	0	0	7	93%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	17	0	4	7	93%
Lead Guitar	15	0	0	7	93%
Rhythm Guitar	13	13	2	7	90%
Soprano	4	0	0	3	62%
Backing Vocals	10	0	0	3	51%

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
Violoncello Continuo	19	0	3	7	97%
Cleopatra	15	0	3	7	80%
Cesare	13	0	4	7	74%
Violini 1	21	0	2	6	63%
Oboe 1	21	0	2	5	59%
Violini 2	20	0	1	6	57%
Oboe 2	20	0	1	5	53%
Violoncelli Contnuo	15	0	1	6	48%
Contrabassi Continuo	15	0	1	6	46%
Fagotto Continuo	13	0	0	5	38%

Wagner - Lohengrin Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

10:23	Est. Play Time
75	Measures
	2,059Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
	32	12	18	13	96%
	28	0	17	12	59%
	29	0	16	13	59%
	11	0	3	10	32%
	10	0	2	9	32%
	9	0	4	10	32%
Flute	25	2	13	13	84%
	24	0	13	10	60%
A Clarinet	36	6	19	12	79%
Oboe	21	2	14	13	78%
Bassoon	36	38	22	11	66%
English Horn	22	0	11	11	59%
Bass Clarinet	36	0	16	10	56%
Horn in F	24	3	10	12	49%
	23	8	9	12	54%
Violas	24	9	14	12	47%
Violoncellos	27	1	14	12	40%
Contrabasse.	19	0	11	10	39%
Trombone	24	19	12	12	36%
Tuba	13	0	8	11	27%
D Trumpet	11	4	8	11	27%
	8	0	2	7	16%
Timpani	2	0	0	3	19%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

9. Love and Laughter

aamann

6:20	Est. Play Time
148	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	53	9	7	96%
	27	37	9	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	53	9	7	96%
	27	37	9	5	100%
Sofia	14	0	2	6	80%
Alto	8	0	0	4	15%
Bass	8	0	0	4	15%
Soprano	9	0	0	4	15%
Tenor	8	0	0	4	15%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%