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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
O Mio Babbino Caro- Puccini (Gianni Schicchi)
Owlman142
1:25 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 16 9 0 5 100%
Violoncelli. Bass 16 1 0 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 16 9 0 5 100%
Violoncelli. Bass 16 1 0 4 100%
Violini
I.		 Treble 15 7 1 5 94%
Violini
II.		 Treble 16 10 0 5 94%
Contrabassi. Bass 7 0 0 2 84%
Arpa. Treble 16 4 0 2 48%
Bass 20 7 1 2 79%
LAURETTA. Treble 10 0 0 4 78%
Clarinetti
1.
e
2.
in
Si
♭		 Treble 13 5 0 5 62%
Oboi
1.
e
2.		 Treble 10 10 1 5 59%
Flauti
1.
e
2.		 Treble 16 4 0 4 58%
Corni
1.
e
2.
in
FA amp;quot;




3.
e
4.


amp;quot;





 Treble 2 1 0 3 6%
Treble 9 1 1 4 51%
Fagotti
1.
e
2.		 Bass 7 3 1 5 38%
Corno
Inglese.		 Treble 7 0 0 5 28%
Trombe
1.
2.
e
3.
in
FA		 Treble 8 3 1 2 25%
Clarone
in
Si
♭		 Treble 4 0 0 2 13%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Ténor
1		 Treble 13 0 2 4 93%
Ténor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 4 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 0 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 72%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois
Papibois
1:13 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
Basse
1		 Bass 10 0 1 6 81%
Basse
2		 Bass 11 0 1 6 81%
Soprano
1		 Treble 12 0 1 6 81%
Soprano
2		 Treble 13 0 2 6 81%
Ténor
1		 Treble 11 0 0 6 81%
Ténor
2		 Treble 9 0 1 6 81%
 
"Non disperar, chi sa?" from HWV 17
edward.maurath
0:01 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
Harpsichord Treble 24 10 7 6 98%
Bass 23 5 7 5 98%
Continuo Bass 23 0 6 5 98%
Cleopatra 16 0 5 5 72%
Violini Treble 16 0 2 6 62%
Celli Bass 17 0 1 3 56%
Violas 11 0 0 4 33%
Kontrebaß Bass 13 0 0 2 21%
 
Pro Rady (For Rady)
Ivo Románek
0:54 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavír Treble 10 3 0 6 100%
Bass 13 8 0 3 100%
Bas Bass 11 0 0 6 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavír Treble 10 3 0 6 100%
Bass 13 8 0 3 100%
Bas Bass 11 0 0 6 74%