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Opera

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

Twenty-First Century Cure - Repo! The Genetic Opera

eilidhan

3:26	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	16	7	1	2	99%
Electric Guitar	17	14	2	3	99%
Viola	12	1	1	7	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	16	7	1	2	99%
Electric Guitar	17	14	2	3	99%
Viola	12	1	1	7	73%

Lakmé. Acte 1, scène 1

FranckM.

5:49	Est. Play Time
136	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
Ténors	19	8	2	7	40%
Sopranos	13	12	2	6	39%
Basses	13	4	1	7	34%
NILAKANTHA	15	0	6	8	30%
LAKME	12	0	2	9	23%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

I Lombardi, Preludio ed Introduzione (coro: Oh nobile esempio!)

Voorburgs Operakoor

4:47	Est. Play Time
281	Measures
	2,441Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
T	18	17	6	7	67%
B	18	8	6	7	63%
S	10	8	3	5	24%
A	15	8	5	5	20%

Wagner - Gotterdammerung Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

4:12	Est. Play Time
43	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions

Kevfun3

7:19	Est. Play Time
241	Measures
	7,025Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
Piano, PIANO II	30	0	10	8	93%
	16	4	6	6	46%
Piano, Piano III	26	23	9	9	97%
Piano, Piano IV	21	0	6	6	93%
Piano, Piano V	21	0	6	6	90%
Glockenspiel Alto Orff, Glockenspiel	23	0	9	7	67%
Célesta, Celesta III	25	49	9	9	66%
Marimba (double portée), Marimba	28	0	9	2	64%
	11	1	3	1	11%
Clavecin, Harpischord I	19	11	5	7	62%
Harpe, Harp	26	7	9	6	60%
Célesta, Celesta II	24	43	9	8	55%
Célesta, Celesta I	21	0	8	9	52%
Carillons, Tubular Bells	19	1	6	2	44%
Xylophone, Xylophone	13	7	3	1	11%
	30	0	9	3	43%
Clavecin, Harpischord II	8	7	3	6	34%
Orgue, Organ I	17	0	5	4	27%
Orgue, Organ II	15	1	4	5	27%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
Harp Continuo	20	18	5	4	100%
	21	13	4	4	100%
Violoncello Continuo	20	0	4	4	100%
Contrabassi Continuo	17	0	3	4	93%
Violini	19	0	5	3	93%
Violoncelli Contniuo	18	0	3	4	93%
Cornelia	14	0	4	7	76%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

Cesare, "Non e si vago e bello" from HWV 17, (1724)

edward.maurath

4:10	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
Harpsichord	20	8	6	4	100%
	22	17	6	4	100%
Celli	21	0	5	4	100%
Continuo	21	0	5	5	100%
Kontrebaß	21	0	5	4	100%
Violini	14	4	1	5	90%
Cesare	14	0	3	5	79%
Violas	11	0	0	4	16%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%