Play Along Piano

Tags

Opera

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)

edward.maurath

0:33	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
Violoncello	4	0	0	3	100%
Alto	9	0	2	3	86%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
B	12	0	2	8	63%
T	14	0	3	8	62%
A	11	0	1	8	28%
S	13	0	2	8	28%
g	2	0	0	1	26%

Op.1 - L'ippopotamo

3ugman

1:24	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	8	0	0	2	100%
Contrabass	8	3	2	2	86%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	8	0	0	2	100%
Contrabass	8	3	2	2	86%
Timpani	6	0	0	1	86%
Trombone	5	0	0	1	71%
A Piccolo Trumpet	6	0	2	1	57%
Flute	9	0	0	2	43%

HWV19A1N10 - Bertarido, "Bertarido fù Rè"

edward.maurath

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
	14	3	2	3	53%
Viola	4	0	0	2	42%
Violoncello Continuo	4	0	1	2	42%
Vln 1	5	0	2	2	42%
Vln 2	4	0	1	2	42%

HWV8A0N17 - Dai, quando vuoi, recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
	3	0	1	1	67%
Harpsichord	10	3	3	2	67%
	2	0	0	1	33%
Apollo	5	0	1	3	67%
Erato	4	0	0	3	67%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
Apollo	6	0	1	3	100%
Violoncello	4	0	0	2	100%

[W.I.P] Noah en Morphos - Openning (Work in Progress)

Corbyn Greengrass

1:33	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
	22	15	1	7	55%
	22	15	2	7	94%
Célesta	18	8	2	6	61%
	1	0	0	1	3%
Clarinette Basse	18	0	3	7	55%
Timbales	5	0	0	5	39%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%