Play Along Piano

Tags

Renaissance

Canaris

Bartók forever

0:54	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100%
		18	0	2	6	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100%
		18	0	2	6	71%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

The King's dance

Samuele Meris

2:38	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	0	0	5	100%
Dulciana	9	0	0	5	100%
View all 7 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	5	100%
Dulciana	9	5	100%
Viola tenore	12	5	73%
Violone	6	3	73%
Flauto dolce sopranino in Fa	9	5	71%
Flauto dolce tenore in Do	9	5	49%
Cornamusa soprano	8	5	22%

Anonymous - My Lady Carey's Dompe

Paraskeνas

2:02	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	10	1	6	100%
		5	1	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	10	1	6	100%
		5	1	0	3	50%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA

gmolstad

2:13	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
Alto	9	0	2	5	100%
Soprano I	13	0	2	5	100%
Soprano II	12	0	2	5	95%
Bass	10	0	2	4	44%
Tenor	8	0	0	5	44%

Josquin des Prez: Fortuna d'un gran tempo plus Spinacino

H. Gürtler

1:43	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
Tenor	13	0	1	6	88%
Bass	12	0	3	7	77%

Omnes Hanc Ergo a 6 (Monteverdi)

rinirini

2:49	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	13	0	3	6	80%
Soprano II	13	0	4	7	80%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	13	3	6	80%
Soprano II	13	4	7	80%
Tenor I	14	4	9	74%
Alto	13	4	5	70%
Bass	13	2	7	67%
Tenor II	13	3	9	67%

Renaissance Improvisations by VivaVoce, from Con la mente e con le mani

Plagal

4:32	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T.	13	0	4	5	88%
A.	18	0	5	7	85%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
T.	13	4	5	88%
A.	18	5	7	85%
S.	20	7	6	66%
B.	16	2	5	53%

Verso de Magnificat del septimo tono

Bartók forever

2:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	18	0	5	5	67%
	15	1	2	5	78%
Stimme	6	0	0	1	34%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	18	0	5	5	67%
	15	1	2	5	78%
Stimme	6	0	0	1	34%

Lament for Kilcash arr. Cantiga

viola.ambera

3:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	0	18	6	94%
	27	0	19	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	18	6	94%
	27	19	6	94%
Alto Recorder	24	19	6	88%
Bass Recorder	28	13	6	61%

Au Verd Boys (Early French Renaissance Music)

Caplon

1:42	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	0	4	89%
	8	0	0	4	98%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Flûte	9	4	89%
	8	4	98%
Violoncelle	9	4	73%
Basson	9	5	63%

Et_daget_in_dat_Osten

FarrierPete

1:52	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harmonium	10	0	1	9	100%
	7	2	1	5	92%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harmonium	10	0	1	9	100%
	7	2	1	5	92%
Alt	8	0	0	5	77%
Sopran	8	0	1	7	77%
Tenor	6	0	1	5	77%
Bass	6	0	0	5	56%

Tomás Luis de Victoria - Misa Alma Redemptoris - 1. Kyrie

Haricophile

1:48	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus 2	12	0	1	6	84%
Tenor 1	11	0	1	6	84%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus 2	12	1	6	84%
Tenor 1	11	1	6	84%
Tenor 2	10	1	5	84%
Altus 2	8	0	6	78%
Cantus 2	9	0	6	73%
Altus 1	10	1	6	64%
Bassus 1	11	1	6	62%
Cantus 1	9	0	7	62%