Play Along Piano

Tags

Renaissance

Galliard 37, Francis Cutting

PreludeAndFugue

0:55	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		21	13	3	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		21	13	3	7	100%

Galliard 3, Francis Cutting

PreludeAndFugue

1:50	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	17	3	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	17	3	6	96%

Anthony Holborne - The Fairy round - for recorder and guitar

Daniel Rubin

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100%
Recorder		12	0	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100%
Recorder		12	0	1	6	100%

Scarborough Fair - Civilization VI England Medieval/Renaissance Theme

Zhaolin Liu

4:48	Est. Play Time
169	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	68	8	7	100%
		32	47	3	5	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	68	8	7	100%
		32	47	3	5	58%

Galliard 11, Francis Cutting

PreludeAndFugue

1:07	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		25	19	5	7	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		25	19	5	7	96%

Almaine 16 [BW], Francis Cutting

PreludeAndFugue

1:52	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	32	6	8	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	32	6	8	96%

Lament for Kilcash arr. Cantiga

viola.ambera

3:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Harp	15	25	7	99%
	23	26	4	93%
Violoncello	21	1	7	73%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	0	18	6	94%
	27	0	19	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	18	6	94%
	27	19	6	94%
Alto Recorder	24	19	6	88%
Bass Recorder	28	13	6	61%

Anthony Holborne - Almain "Hearts ease" for guitar

Daniel Rubin

2:04	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Guitar		26	39	7	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Guitar		26	39	7	6	100%

Sinfonia à 4

Makoto

1:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

Philip van Wilden - Fantasia for guitar

Daniel Rubin

3:26	Est. Play Time
103	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		24	47	5	7	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		24	47	5	7	92%

Short Melody No. 27

Huug Verschuijl

2:31	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	41	6	4	100%
		16	13	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	41	6	4	100%
		16	13	3	3	100%

Anthony Holborne - "Hearts ease" for recorder and guitar

Daniel Rubin

2:04	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Guitar		26	38	7	6	100%
Recorder		10	0	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Guitar		26	38	7	6	100%
Recorder		10	0	3	5	100%

Antonio de Cabezón - Diferencias sobre el canto del Caballero

Mitocondria

2:40	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%