Tags

Renaissance
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
Loyset Compère: Scaramella
AymericHM
0:43 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 2 8 98%
Bass 11 7 1 8 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 2 8 98%
Bass 11 7 1 8 88%
 
Francesco da Milano - Toccata
Daniel Rubin
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 22 14 3 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 22 14 3 5 96%
 
Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA
gmolstad
2:13 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
Alto Treble 9 0 2 5 100%
Soprano
I		 Treble 13 0 2 5 100%
Soprano
II		 Treble 12 0 2 5 95%
Bass Bass 10 0 2 4 44%
Tenor Treble 8 0 0 5 44%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
The King of Denmarkes Galiard for Guitar Duo, John Dowland
PreludeAndFugue
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
 
Tombeau de Monsr. de Lenclos
Bartók forever
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavichord Treble 15 4 5 6 97%
Bass 16 5 2 4 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavichord Treble 15 4 5 6 97%
Bass 16 5 2 4 92%
 
Propinan de Melyor
Samuele Meris
0:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinetto
Basso		 Treble 8 0 0 6 100%
Flauto Treble 8 0 0 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinetto
Basso		 Treble 8 0 0 6 100%
Flauto Treble 8 0 0 6 100%
 
Anonymous - My Lady Carey's Dompe
Paraskeνas
2:02 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
 
Inni del Primo Tuono
Bartók forever
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
 
Semper Dowland Semper Dolens, John Dowland
PreludeAndFugue
4:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
III Treble 13 0 3 7 97%
I Treble 13 0 4 7 95%
 
The King of Denmarks Galiard for Guitar Quartet, John Dowland
PreludeAndFugue
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 13 0 3 6 100%
II Treble 8 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 13 0 3 6 100%
II Treble 8 0 2 7 100%
III Treble 12 0 3 7 100%
IV Treble 18 0 1 7 100%
 
Michael Praetorius - Spagnoletta - Guitar solo
Daniel Rubin
2:53 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
 
Ensalada "La Bomba", Mateo Flecha "El Viejo" 1481 - 1553
FarrierPete
7:24 Est. Play
Time
292 Measures
3,787Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 2 9 91%
Alto Treble 15 0 4 9 87%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 2 9 91%
Alto Treble 15 0 4 9 87%
Soprano Treble 14 0 4 9 87%
Bass Bass 14 0 3 9 87%
 
Illumina oculos meos (Canon)
Bartók forever
0:27 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stimme Treble 9 0 0 6 100%
Treble 9 0 0 6 93%
Treble 9 0 0 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stimme Treble 9 0 0 6 100%
Treble 9 0 0 6 93%
Treble 9 0 0 6 86%
 
Almaine 16, Francis Cutting
PreludeAndFugue
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
 
N. Vicentino: Musica prisca caput
intasei
2:24 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 2 9 93%
Bassus Bass 12 0 2 6 93%
Tenore 7 0 0 8 42%
Basso Bass 8 0 1 8 38%
Soprano 8 0 1 8 38%
Contralto 6 0 0 7 36%