Active Filters:
Participation: 100%
Play Time: 2:10 - 3:20
Unique Chords: 3-6
Unique Notes: > 20
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choir
Magnificat
Richard Syner
2:59 Est. Play
Time
92 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 17 10 6 85%
Bass 11 0 3 4 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 17 10 6 85%
Bass 11 0 3 4 95%
Bass 30 4 15 6 100%
Voice Treble 16 0 5 8 98%
 
The Beatitudes
Richard Syner
2:18 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano or
organ 		Bass 25 5 7 6 100%
Bass 30 4 8 6 100%
Voice Treble 16 1 4 9 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano or
organ 		Bass 25 5 7 6 100%
Bass 30 4 8 6 100%
Voice Treble 16 1 4 9 91%
 
Mass in C KV167 - Kyrie
hrobache
3:12 Est. Play
Time
56 Measures
2,574Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 21 0 5 6 100%
Violins
1		 Treble 25 4 8 11 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 21 0 5 6 100%
Violins
1		 Treble 25 4 8 11 100%
Violins
2		 Treble 27 8 9 10 100%
Oboe Treble 19 20 6 7 93%
Tenor 13 0 4 8 82%
Alto 12 0 4 7 80%
Bass Bass 18 0 5 7 80%
Soprano 15 0 6 7 80%
C
Trumpet		 Treble 8 9 0 4 76%
Trombone Bass 4 2 0 4 65%
Timpani Bass 2 0 0 4 63%
 
Missa brevis Sancti 06 Agnus Dei
pental
3:02 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 22 5 5 4 100%
Violino
II		 Treble 19 0 5 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 22 5 5 4 100%
Violino
II		 Treble 19 0 5 4 100%
Organo Violoncello e
Basso		 Bass 18 0 2 4 96%
Basso Bass 17 0 2 4 77%
Alto Treble 14 0 4 5 75%
Tenore Treble 10 0 1 4 75%
Soprano Treble 18 0 5 5 73%
 
LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 3/11 N° 3 Couplets de Parthœnis et Leœna. SOPRANO 1
Papibois
2:17 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-5		 Treble 22 6 4 5 100%
Bass 20 25 5 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-5		 Treble 22 6 4 5 100%
Bass 20 25 5 3 100%
Oreste Treble 10 0 1 3 48%
Calchas Bass 11 0 3 3 33%
Leoena
+S2		 Treble 10 0 1 3 26%
Parthoenis
+S1		 Treble 9 0 1 3 26%
 
LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 3/11 N° 3 Couplets de Parthœnis et Leœna. SOPRANO 2
Papibois
2:17 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-5		 Treble 22 6 4 5 100%
Bass 20 25 5 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-5		 Treble 22 6 4 5 100%
Bass 20 25 5 3 100%
Oreste Treble 10 0 1 3 48%
Calchas Bass 11 0 3 3 33%
Leoena
+S2		 Treble 10 0 1 3 26%
Parthoenis
+S1		 Treble 9 0 1 3 26%
 
The Song that Goes Like This – SATB Choral
asidhubrar1
3:03 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 24 5 5 8 98%
Alto Treble 18 0 3 8 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 24 5 5 8 98%
Alto Treble 18 0 3 8 98%
Soprano Treble 25 2 3 8 97%
Tenor Treble 18 0 4 8 97%