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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet - SOPRANO 2

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
Soprano		12	0	3	5	92%
Tenor		10	0	1	6	92%
Continuo		23	36	5	4	70%
		21	39	4	4	72%
Fagott, Bassoon		16	0	2	3	68%
Violins, Viola		13	0	1	3	68%
Violins, Violin I		13	0	3	5	68%
Violins, Violin II		13	0	2	3	68%
Violoncellos, Cello		16	0	2	3	68%
Oboe, Oboe		10	0	2	4	59%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	36	6	5	100%
		29	37	8	8	92%
Nemorino		13	0	3	6	91%
Soprano 2		9	0	0	7	51%
Soprano 1		8	0	0	7	50%
Giannetta		9	0	0	8	41%
Adina		2	0	0	2	7%
Dulcamara		2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione

Papibois

1:31	Est. Play Time
75	Measures
	1,155Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - BASSE

Papibois

3:58	Est. Play Time
149	Measures
	1,928Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Base		15	0	7	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

Adieu, mein kleiner Gardeoffizier

Voorburgs Operakoor

10:37	Est. Play Time
279	Measures
	2,654Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	49	6	7	100%
		21	17	4	3	99%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	49	6	7	100%
		21	17	4	3	99%
S		13	0	2	6	95%
A		12	0	2	6	94%
B		11	0	1	6	94%
T		12	0	2	6	94%

Andre Campra - Messe de Requiem. [I. Introit.] {Professional production full score.} Unfinished.

Jamie Holdham

1:14	Est. Play Time
79	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
Violine 1		13	0	1	5	92%
Violine 2		8	0	0	4	92%
Chor 5		2	0	0	3	13%
chor 1		2	0	0	1	8%
Chor 4		1	0	0	1	4%

J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)

BSG

3:56	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
Bass		20	0	7	5	91%
Tenor		17	0	6	6	90%
Soprano		17	0	6	5	88%
Alto		17	0	6	5	82%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 6/16 Acte 1 : Coro Scena 4 - BASSE

Papibois

2:00	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	37	9	6	99%
		26	23	8	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	37	9	6	99%
		26	23	8	4	78%
Basse		12	0	4	4	67%
Tenor 1		13	0	3	4	67%
Tenor 2		13	0	3	4	67%
Soprano 1		7	0	2	5	48%
Soprano 2		8	0	3	5	48%

Messiah| No.21: His Yoke is Easy

Pete Alan

2:33	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas		23	0	6	8	100%
Soprano		17	0	5	10	86%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas		23	0	6	8	100%
Soprano		17	0	5	10	86%
Bass		13	0	2	10	80%
Tenor		13	0	4	9	78%
Violin I		21	0	5	9	78%
Violin II		20	0	5	10	78%
Viola		17	0	3	8	76%
Alto		11	0	2	10	73%

Kyrie in E minor (Opus 17)

schoutens

9:49	Est. Play Time
288	Measures
	2,861Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		35	8	15	9	88%
		36	2	15	9	96%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		35	8	15	9	88%
		36	2	15	9	96%
Violoncello		24	0	10	8	75%
Contrabass		24	0	9	9	56%
Bass		23	0	10	8	55%
Violin		29	0	10	9	46%
Viola		27	0	9	9	41%
Soprano		19	0	8	8	35%
Alto		19	0	7	8	30%
Tenor		19	0	7	6	29%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 14/16 Acte 2 : Coro Scena 6

Papibois

3:56	Est. Play Time
234	Measures
	2,329Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	53	16	9	96%
		32	79	14	8	91%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	53	16	9	96%
		32	79	14	8	91%
Nemorino		15	0	4	8	60%
Adina		16	0	5	7	48%
Dulcamara		17	0	6	6	44%
Soprano 2		13	0	2	8	44%
Giannetta		17	0	4	8	44%
Soprano 1		12	0	3	8	44%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione -TENOR 1

Papibois

1:31	Est. Play Time
75	Measures
	1,162Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/16 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

1:31	Est. Play Time
75	Measures
	1,163Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

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