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Participation: 80%-99%
Unique Notes: 11 - 15
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chorus
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
Dido and Æneas, No.31: Chorus - Destruction's our delight
Voorburgs Operakoor
2:24 Est. Play
Time
88 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 60 6 7 100%
Bass 28 20 6 6 96%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 60 6 7 100%
Bass 28 20 6 6 96%
A Treble 12 0 2 5 35%
B Bass 12 0 2 5 35%
S Treble 10 0 1 4 35%
T Treble 11 0 1 5 35%
 
N° 35, Hail Great Parent, The Fairy Queen, Henry Purcell
FranckM.
1:45 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 50 4 6 100%
Bass 24 19 3 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 50 4 6 100%
Bass 24 19 3 6 100%
Basse Bass 13 0 2 5 84%
Soprano Treble 8 0 1 6 79%
Ténor Treble 9 0 1 7 79%
Alto Treble 10 0 1 7 77%
 
J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques
Mélisande
3:08 Est. Play
Time
69 Measures
1,180Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 37 8 7 100%
Bass 31 43 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 37 8 7 100%
Bass 31 43 8 3 100%
Hoffmann Treble 14 0 3 6 75%
B Bass 10 2 1 3 25%
T Treble 11 10 2 3 25%
S Treble 11 5 1 3 24%
 
Messiah| No.33: Lift Up Your Heads, O Ye Gates
Pete Alan
2:34 Est. Play
Time
78 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
Alto Treble 8 0 1 7 90%
Tenor Treble 12 0 2 7 82%
Soprano
II		 Treble 11 0 1 7 78%
Bass Bass 15 0 2 6 74%
Soprano
1		 Treble 8 0 1 5 21%
 
The Ace Of Spades
tamaboyle
2:40 Est. Play
Time
106 Measures
1,364Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 5 8 84%
Treble 42 92 18 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 5 8 84%
Treble 42 92 18 8 100%
Bass 21 0 6 7 24%
Bass 36 32 12 9 99%
 
Roadways (One Road Leads To London)
music-nerd4life
2:14 Est. Play
Time
55 Measures
1,457Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 81 11 8 100%
Bass 40 69 8 7 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 81 11 8 100%
Bass 40 69 8 7 100%
Tenor Treble 12 0 2 9 91%
Treble 10 0 3 9 91%
Baritone Bass 12 0 3 9 91%
Bass Bass 18 0 5 9 91%
 
Messiah| No.17: Glory to God
Pete Alan
2:20 Est. Play
Time
57 Measures
1,512Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
Basses Bass 16 0 1 8 91%
Cellos Bass 15 0 1 8 91%
Tenor Treble 11 0 0 8 65%
Alto Treble 7 0 0 8 54%
Soprano Treble 8 0 0 8 49%
Bass Bass 11 0 0 8 47%
 
Nos Unum Sumus
Jesse David Sykes
2:54 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 3 1 6 93%
Soprano Treble 15 4 3 6 89%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 3 1 6 93%
Soprano Treble 15 4 3 6 89%
Tenor Treble 15 4 2 6 85%
Bass Bass 17 10 3 6 70%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE
Papibois
1:14 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 43 7 5 100%
Bass 24 28 4 4 98%
Tenor
1		 Treble 13 0 2 4 93%
Tenor
2		 Treble 13 0 3 4 93%
Soprano
1		 Treble 15 0 5 4 89%
Soprano
2		 Treble 16 0 4 4 89%
Basse Bass 10 1 2 4 87%
Gianetta Treble 11 0 0 4 76%
Nemorino Treble 11 0 2 4 70%
 
Chiquilin de Bachin (Coro para Voces, Cuerdas y Vientos)
Daljin
4:01 Est. Play
Time
111 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 17 0 5 5 95%
Soprano Treble 15 0 5 5 84%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 17 0 5 5 95%
Soprano Treble 15 0 5 5 84%
Bass Bass 17 8 5 5 75%
Alto Treble 18 9 6 5 63%
Tenor Treble 18 4 5 5 58%
Violoncello
I		 Bass 16 3 2 3 36%
Flute
I		 Treble 18 0 5 5 33%
Violoncello
II		 Bass 10 4 1 5 25%
Oboe Treble 11 0 1 5 18%
Flute
II		 Treble 16 0 6 4 15%
English
Horn		 Treble 5 0 0 3 11%