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chorus

I Will - Male A Cappella

1:31	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	15	0	4	7	98%
	14	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	15	4	7	98%
	14	3	6	100%
Baritone	11	3	5	98%
Bass	8	0	3	98%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
Belcore	16	0	3	6	63%
Basse	7	0	1	5	38%
Ténor 1	8	0	1	5	36%
Ténor 2	8	0	1	5	32%
Soprano 1	7	0	1	4	16%
Soprano 2	6	0	2	4	16%
Nemorino	5	0	1	4	4%

Elfen Lied OST - Lilium (SATB+Guitar)

tenphi

3:40	Est. Play Time
50	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	2	5	7	100%
Classical Guitar	31	29	10	7	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	2	5	7	100%
Classical Guitar	31	29	10	7	98%
Bass	15	5	4	6	95%
Soprano	17	0	6	7	92%
Tenor	15	0	4	5	92%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	41	11	4	98%
	30	70	9	8	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	41	11	4	98%
	30	70	9	8	99%
Gianetta	15	0	3	8	72%
Soprano 2	13	0	3	7	61%
Soprano 1	12	0	2	8	59%

Don't You (Forget About Me) - Male A Cappella

Jesse David Sykes

4:48	Est. Play Time
126	Measures
	2,933Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	11	0	3	5	100%
Tenor	12	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	11	3	5	100%
Tenor	12	2	8	97%
	10	1	7	99%
	13	2	8	82%
Baritone	13	1	10	96%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
A	9	0	1	5	76%
S	11	0	3	6	76%
T	8	0	1	5	76%
B	12	0	1	7	71%
Dido	6	0	0	5	24%

Dido and Æneas, No.31: Chorus - Destruction's our delight

Voorburgs Operakoor

2:24	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
A	12	0	2	5	35%
B	12	0	2	5	35%
S	10	0	1	4	35%
T	11	0	1	5	35%

N° 35, Hail Great Parent, The Fairy Queen, Henry Purcell

FranckM.

1:45	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
Basse	13	0	2	5	84%
Soprano	8	0	1	6	79%
Ténor	9	0	1	7	79%
Alto	10	0	1	7	77%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	0	6	7	87%
	20	0	7	5	69%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	6	7	87%
	20	7	5	69%
Viola	18	3	6	66%
Violoncello	18	2	7	66%
Contrabass	22	4	5	65%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	3	8	100%
Violin I	17	0	3	7	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	3	8	100%
Violin I	17	3	7	100%
Violin II	20	4	8	100%
Double Bass	16	3	7	97%
Alto	13	3	6	81%
Soprano	13	3	7	81%
Bass	15	3	7	75%
Tenor	13	4	6	75%