Play Along Piano

Tags

coral

Ave Maria

1:38	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B	9	0	1	5	100%
C	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B	9	1	5	100%
C	9	1	5	100%
T	10	1	5	100%
S	8	0	3	95%

Hambre de Dios

Stulta Auricula

1:37	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	22	23	2	5	100%
	16	6	1	5	89%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	22	23	2	5	100%
	16	6	1	5	89%
Alto	9	0	0	5	55%
Barítono	12	19	0	5	55%
Soprano	11	0	1	5	55%
Tenor	9	5	0	5	55%
Solista	8	0	0	6	41%

"Tan cerca de mi" (Cesáreo Gabaráin)

Stulta Auricula

0:48	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	11	5	3	100%
	13	0	2	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	11	5	3	100%
	13	0	2	2	100%
Bajo eléctrico	10	0	1	6	90%
Soprano	11	0	1	9	80%
Flauta	12	0	1	7	60%
Barítono	8	0	0	5	40%
Tenor	6	0	2	7	40%
Alto	6	0	0	6	30%

Agua lávame (Brotes de Olivo)

Stulta Auricula

0:48	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	5	1	2	88%
	9	4	0	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	5	1	2	88%
	9	4	0	3	100%
Flauta	10	0	0	5	66%
Sopranos	9	0	0	4	50%
Chicos	11	3	0	6	49%

"Por la puente Juana", Anonimo (cancionero de Turín)

Stulta Auricula

0:49	Est. Play Time
34	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	5	98%
	6	1	5	100%
Alto	9	1	5	96%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	5	98%
	6	1	5	100%
Alto	9	1	5	96%

Cantiga LXXVII "Da que Deus mamou" (Alfonso X el Sabio)

Stulta Auricula

0:43	Est. Play Time
22	Measures

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	10	5	100%
Barítono	10	5	100%
Soprano	6	4	100%

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	10	5	100%
Barítono	10	5	100%
Soprano	6	4	100%

"La misa es una fiesta" (Cesáreo Gabaráin)

Stulta Auricula

0:54	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	20	7	3	100%
	17	1	5	3	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	20	7	3	100%
	17	1	5	3	99%
Flauta	10	0	0	4	100%
Bajo eléctrico	11	0	1	4	93%
Soprano	9	0	0	4	86%
Alto	8	0	0	4	84%
Barítono	8	0	1	4	66%
Tenor	11	0	1	4	66%

Yo vi un dia (Orlando di Lasso)

Stulta Auricula

1:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	3	4	100%
Barítono	9	0	1	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	3	4	100%
Barítono	9	1	3	100%
Soprano	12	4	3	100%
Tenor	11	4	5	100%

"No la debemos dormir" (Cancionero de Upsala)

Stulta Auricula

1:06	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	1	3	100%
Alto	5	0	0	3	41%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	1	3	100%
Alto	5	0	3	41%
Bajo	6	0	3	41%
Tenor	6	0	3	41%

"Dadme Albricias" (Cancionero de Uppsala)

Stulta Auricula

0:50	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	0	1	5	80%
Soprano	10	0	1	3	78%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	1	5	80%
Soprano	10	1	3	78%
Alto	7	0	4	56%
Barítono	9	0	4	56%

"Hoy te quiero cantar" (Cesáreo Gabaráin)

Stulta Auricula

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	98%
	17	2	2	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	98%
	17	2	2	6	100%
Bajo eléctrico	14	0	2	3	100%
Alto	7	0	0	5	85%
Barítono	10	0	0	5	85%
Soprano	8	0	0	5	85%
Tenor	12	0	1	5	85%

"Ven ven Señor no tardes" (Cesáreo Gabaráin)

Stulta Auricula

1:12	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
Bajo eléctrico	6	0	0	4	100%
Guitarra eléctrica	11	5	0	4	88%
Alto	8	0	0	5	67%
Soprano	9	0	0	5	67%
Barítono	9	0	0	5	58%
Tenor	6	0	0	5	58%
Flauta	9	8	0	5	22%

"Lampara de barro" (Cesáreo Gabaráin)

Stulta Auricula

1:04	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	1	2	100%
	10	1	0	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	1	2	100%
	10	1	0	2	100%
Bajo eléctrico	10	0	1	2	100%
Alto	7	0	0	6	83%
Soprano	7	0	0	6	83%
Flauta	13	0	0	5	79%
Barítono	8	0	0	4	50%
Tenor	5	0	0	4	50%

"Ven Señor no tardes en llegar" (Gregorio Fernández)

Stulta Auricula

0:39	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	1	2	100%
	17	0	0	2	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	1	2	100%
	17	0	0	2	100%
Bajo eléctrico	10	0	0	5	100%
Alto	11	0	0	4	76%
Barítono	10	0	0	3	73%
Tenor	8	0	0	4	64%
Voz	9	0	0	4	64%

Thochter Zion

Bevisc

0:48	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baixo	9	0	1	6	100%
Contralto	7	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baixo	9	1	6	100%
Contralto	7	1	6	100%
Soprano	9	1	5	100%
Tenor	7	1	6	100%

"Caminad" (Kairoi)

Stulta Auricula

1:01	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	6	0	0	4	78%
Bajo eléctrico	5	0	0	5	70%
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Tenor	6	4	78%
Bajo eléctrico	5	5	70%
Soprano	6	4	52%
Flauta	6	5	48%
Alto	4	4	26%
Baritone	5	4	26%

"Hoy he vuelto" (Cesáreo Gabaráin)

Stulta Auricula

2:39	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	2	7	100%
	18	12	3	5	95%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	2	7	100%
	18	12	3	5	95%
Bajo eléctrico	9	0	0	4	98%
Soprano	11	0	0	6	77%
Flauta	11	0	0	7	66%
Alto	8	0	0	5	53%
Barítono	10	0	1	3	42%
Tenor	7	0	0	4	42%

"Cancion de juventud" (Cesáreo Gabaráin)

Stulta Auricula

1:19	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
Alto	11	0	2	6	85%
Soprano	9	0	0	6	85%
Bajo eléctrico	11	0	0	6	76%
Flauta	12	0	0	5	76%
Barítono	12	1	0	6	70%
Tenor	11	0	0	6	67%

"Creo en Jesús" (Carmelo Erdozáin)

Stulta Auricula

1:24	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	14	0	6	98%
	13	10	1	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	14	0	6	98%
	13	10	1	6	98%
Bajo eléctrico	11	0	1	4	100%
Barítono	12	1	1	6	86%
Tenor	10	0	0	6	86%
Alto	8	0	0	5	81%
Soprano	7	0	0	5	81%
Flauta	11	0	1	5	71%

"Iglesia somos" (Cesáreo Gabaráin)

Stulta Auricula

1:01	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
Bajo eléctrico	11	0	0	3	100%
Alto	9	0	0	4	58%
Soprano	11	0	0	4	58%
Barítono	12	0	0	5	46%
Tenor	9	0	0	4	46%
Flauta	11	0	0	4	38%