Play Along Piano

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counterpoint

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
		16	0	5	5	98%
Alto		12	0	2	3	36%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version

penne vodka

4:41	Est. Play Time
94	Measures
	2,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
Violins I		29	8	8	5	81%
Bassoons		29	17	9	4	75%
Violoncellos		20	0	6	6	72%
Oboes		21	18	6	6	68%
Clarinets in B♭		24	23	7	6	63%
Contrabasses		20	0	6	6	60%
Flutes		28	25	9	6	58%
Horns in F		17	16	4	7	33%
		19	17	5	7	48%
Timpani		3	0	0	5	24%
Trumpets in B♭		15	13	2	3	21%

Be Thou My Vision Small Orchestra

Threespot@aol.com

2:33	Est. Play Time
102	Measures
	1,214Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano		20	40	4	6	46%
		15	18	1	5	55%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano		20	40	4	6	46%
		15	18	1	5	55%
Strings, String Ensemble Hard		19	9	1	7	92%
Oboe, Oboe		10	0	0	9	60%
Timpani, Timpani		15	0	2	6	56%
B♭ Clarinet		14	0	1	7	51%
Horn in F		13	0	1	7	51%
Violins, String Ensemble		14	0	0	4	22%
		10	0	0	9	46%
Flute		14	0	0	7	30%
Violoncellos, String Ensemble		18	21	2	4	23%

J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1

BSG

4:58	Est. Play Time
74	Measures
	1,502Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		25	0	9	7	99%
Contrabass		25	0	9	7	99%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		25	0	9	7	99%
Contrabass		25	0	9	7	99%
Violin 2		20	0	6	5	89%
Viola		23	0	8	5	88%
Violin 1		20	0	7	6	86%
Alto		16	0	6	5	85%
Bass		18	0	6	8	84%
Tenor		18	0	6	6	84%
Soprano		17	0	6	7	81%
Tenor Trombone		12	0	3	4	28%
		12	0	3	5	28%
Bass Trombone		14	0	4	6	28%
C Trumpet		8	0	0	4	28%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		16	0	5	5	100%
Pan Flute		20	0	8	6	99%
C Trumpet		12	0	2	3	36%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		16	0	5	5	100%
Pan Flute		20	0	8	6	99%
C Trumpet		12	0	2	3	36%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
CB		21	0	6	6	100%
Vcl		21	0	6	6	100%
Viola		20	0	7	7	100%
Vn 1		23	0	9	8	100%
Vn 2		20	0	6	6	100%
Flute		27	0	10	10	99%
Bass		18	0	6	6	49%
Sop		16	0	5	6	49%
Alto		16	0	5	5	48%
Ten		12	0	2	5	42%
Tenor Trombone		12	0	2	6	42%

The Emptiness In-Between

dmutters

5:24	Est. Play Time
119	Measures
	1,533Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	17	9	8	85%
		15	0	3	3	90%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	17	9	8	85%
		15	0	3	3	90%
		21	33	6	5	88%
Bass Guitar		22	30	6	6	60%
Electric Guitar		26	36	8	9	59%
12-string Guitar		28	33	3	7	55%
Tenor/Bass		12	0	2	6	41%
Soprano/Alto		10	0	2	6	38%
Lead Vocals		10	0	2	6	32%

G. Ligeti - Musica Ricercata XI

intasei

3:58	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	4	1	5%
		54	50	32	6	79%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	4	1	5%
		54	50	32	6	79%
		46	15	22	5	44%
		73	33	41	5	91%
		11	0	4	2	5%

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