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Measures: 60 - 150
Play Time: 2:10 - 3:20
Unique Notes: ≤ 5
Unique Notes: > 20
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counterpoint
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
 
J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor
sjforman
2:54 Est. Play
Time
87 Measures
2,284Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 0 4 8 99%
Bass 30 0 5 5 46%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 0 4 8 99%
Bass 30 0 5 5 46%
Soprano Treble 19 0 2 7 99%
Alto Treble 26 0 3 8 50%
Bass Bass 30 0 5 5 46%
 
Contrapunctus I
kyagielski
2:36 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 23 0 8 6 91%
B♭
Cornet		 Treble 20 0 7 7 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 23 0 8 6 91%
B♭
Cornet		 Treble 20 0 7 7 86%
Tuba Bass 22 0 8 6 82%
Trombone Bass 19 0 6 6 78%
 
Fugue on "Rock N Roll McDonald's" [HSCC #9]
Dun Ought 3 - The Prisoner of Azkaban
3:18 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 12 9 91%
Treble 30 0 11 9 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 12 9 91%
Treble 30 0 11 9 99%
 
Baroque Variations in C Major
Vextrove
2:12 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
 
Polemics between Zarlino and Rameau
Plagal
3:03 Est. Play
Time
93 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Recorder		 Treble 22 0 18 6 94%
Bass 27 0 19 6 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Recorder		 Treble 22 0 18 6 94%
Bass 27 0 19 6 94%
Alto
Recorder		 Treble 24 0 19 6 88%
Bass
Recorder		 Bass 28 0 13 6 61%