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counterpoint
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
Invention in G minor
kaled.dabboussi.3
3:06 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
 
Invention in C
Fabio Lee
1:24 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 1 6 6 100%
Bass 22 0 7 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 1 6 6 100%
Bass 22 0 7 5 96%
 
Invention
Marc Sabatella
1:11 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 6 4 100%
Bass 25 0 9 4 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 6 4 100%
Bass 25 0 9 4 97%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Buxtehude - Trio Sonata No.4 in B. {Professional production full score.} Unfinished.
Jamie Holdham
1:10 Est. Play
Time
220 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
Cembalo. Bass 12 0 0 2 100%
Violino. Treble 19 0 3 6 79%
Viola
da
gamba.		 17 0 4 6 42%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%