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fredipi

Johannes BRAHMS - Sechs Quartette, Op.112 - IV. Zigeunerlieder n°2

fredipi

0:45	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	34	3	5	78%
		22	27	1	6	91%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	34	3	5	78%
		22	27	1	6	91%
Alto		9	0	0	6	92%
Bass		10	0	0	6	92%
Soprano		10	0	1	6	89%
Tenor		10	0	2	6	89%

Brahms, Johannes - 8 Lieder und Gesänge Op.59 No.2 - Auf dem See

fredipi

2:29	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	30	9	7	89%
		29	6	11	7	99%
Singstimme Voice		14	0	5	5	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	30	9	7	89%
		29	6	11	7	99%
Singstimme Voice		14	0	5	5	81%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 7

fredipi

3:08	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
Ténor Soliste		15	0	4	6	56%
Basse		12	0	5	6	38%
Alto		8	0	4	6	36%
Soprano		9	0	3	6	36%
Ténor		6	0	1	6	36%

Brahms Johannes - 9 Lieder und Gesänge Op.63 No.3 - An ein Bild

fredipi

2:28	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	67	8	5	88%
		27	19	6	6	92%
Singstimme Voice		14	0	4	4	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	67	8	5	88%
		27	19	6	6	92%
Singstimme Voice		14	0	4	4	95%

Franz Schubert: Die schöne Müllerin - D 795 No5 "Am Feierabend"

fredipi

2:54	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	41	8	5	100%
		29	20	8	6	98%
Hautbois		17	0	6	5	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	41	8	5	100%
		29	20	8	6	98%
Hautbois		17	0	6	5	84%

Georges F. Root, The Star of Bethlehem - pupitre Basse

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Basse		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

Hector Berlioz - Grande Messe des Morts, op.5 - 08 Hostias

fredipi

3:19	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
Basse I.		10	0	4	7	65%
Basse II.		9	0	2	7	65%
Ténor I.		9	0	3	7	65%
Ténor II.		9	0	3	7	65%

Georges F. Root, The Star of Bethlehem - pupitre Soprano

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	2	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	3	6	87%
Tenor		9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Tenor

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	3	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Alto

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	4	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Soprano

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	7	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	7	6	100%
Alto		9	0	3	6	56%
Basse		11	0	4	6	56%
Ténor		11	0	3	5	56%
Soprano		11	0	4	5	53%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Alto

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Ténor		11	0	2	5	56%
Soprano		11	0	4	5	53%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Tenor

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Tenor		11	0	2	5	56%
Soprano		11	0	4	5	53%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Basse

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Ténor		11	0	2	5	56%
Soprano		11	0	4	5	53%

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