Active Filters:
Clef: BassBass
Measures: 20 - 35
Participation: 100%
Unique Durations: 1-3
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french horn
Polocaust
etjusticepourtous
1:14 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 7 0 1 1 100%
Alto
Saxophone
1		 Treble 2 0 1 2 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 7 0 1 1 100%
Alto
Saxophone
1		 Treble 2 0 1 2 97%
Alto
Saxophone
2		 Treble 2 0 0 2 97%
Horn
1		 Treble 2 0 1 2 97%
Horn
2		 Treble 4 0 0 3 97%
Bass
Clarinet		 Treble 6 0 1 1 94%
Piccolo Treble 10 0 3 7 75%
Trombone Bass 1 0 0 1 6%
 
Morceau de Concert Exercise
HansDHorn
0:48 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Bass 34 0 13 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Bass 34 0 13 2 100%
 
Sweden for Brass Quintet
rochfordmiles
2:02 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 8 0 0 5 100%
Trombone Bass 9 0 0 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 8 0 0 5 100%
Trombone Bass 9 0 0 3 100%
Tuba Bass 9 0 0 2 100%
B♭
Trumpet		 Treble 12 0 1 4 73%
Treble 9 0 1 3 91%
 
Jacques Offenbach: Barcarole Thema aus Hoffmanns Erzählungen
Georg Pfeifer
0:40 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 13 0 1 3 100%
Horn
in
F		 Treble 12 0 2 5 100%
Violine Treble 13 7 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 13 0 1 3 100%
Horn
in
F		 Treble 12 0 2 5 100%
Violine Treble 13 7 2 4 100%
 
AS - Bonebottom (For Wind Quintet)
Aaron Straitiff
1:34 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 10 0 0 5 100%
Bassoon Bass 17 0 1 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 10 0 0 5 100%
Bassoon Bass 17 0 1 3 100%
Flute Treble 9 0 0 5 100%
Horn
in
F		 Treble 7 0 0 2 100%
Oboe Treble 11 0 0 6 82%
 
Strong One (Masked Man)
DefunctFunction
1:05 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 2 2 7 88%
Bass 6 0 1 2 75%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 2 2 7 88%
Bass 6 0 1 2 75%
Timpani Bass 8 0 1 3 100%
Choir
Synthesizer		 Treble 12 2 2 7 88%
Bass 2 0 1 2 75%
Tuba Bass 8 0 2 3 88%
Horn
in
F		 Treble 10 0 2 7 81%
 
JS Bach: AIR aus Orchestersuite BWV 1068 Nr 3, 2. Satz
Georg Pfeifer
4:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 25 0 8 3 100%
Horn
in
F		 Treble 17 0 4 6 100%
Violíne Treble 14 0 5 9 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 25 0 8 3 100%
Horn
in
F		 Treble 17 0 4 6 100%
Violíne Treble 14 0 5 9 100%
 
The Morning After I Killed Myself
Lilos
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 3 1 0 2 70%
Bass 4 0 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 3 1 0 2 70%
Bass 4 0 0 2 100%
Horn
in
F		 Treble 9 0 0 3 50%
Violin Treble 8 0 0 3 20%