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Participation: 50%-79%
Participation: 80%-99%
Unique Durations: 4-5
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oratorio
Saint-Saens, Oratorio de Noël: Gloria
Mélisande
1:42 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 17 16 4 5 97%
Bass 19 5 4 4 80%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 17 16 4 5 97%
Bass 19 5 4 4 80%
S Treble 13 0 3 6 83%
A Treble 12 0 2 6 81%
B Bass 15 0 3 6 71%
T Treble 11 0 1 6 62%
 
HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor
edward.maurath
4:29 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
Cello Bass 17 0 3 5 95%
Juno Treble 15 0 4 9 84%
Vln
1		 Treble 20 0 4 5 80%
Violas 19 0 4 5 74%
Vln
2		 Treble 21 0 6 3 70%
Celli Bass 17 0 3 3 66%
Kontrebaß Bass 17 0 3 3 66%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
BWV248N4 - "Bereite dich, Zion"
edward.maurath
6:40 Est. Play
Time
140 Measures
1,082Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 51 7 5 95%
Bass 22 4 7 5 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 51 7 5 95%
Bass 22 4 7 5 99%
Bassoon Continuo Bass 22 0 7 5 99%
Oboe d'amore Treble 27 0 10 5 91%
Violini Treble 27 0 10 5 91%
Violoncello Continuo Bass 21 0 6 5 89%
Alto 17 0 6 6 65%
 
BWV258N7 "Er ist auf Erden kommen arm"
edward.maurath
3:27 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
Bass 21 3 5 5 97%
Fagotto Continuo Bass 21 0 5 5 97%
Oboe d'amore Treble 18 0 5 6 94%
Soprano 10 0 1 5 47%
Bass Bass 15 0 6 4 17%
 
HWV61A1N8 - Oh memory, still bitter to my soul!
edward.maurath
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
VCL- Bass 9 0 2 4 100%
Vla 8 0 1 4 100%
Vln
1		 Treble 9 0 2 2 100%
Vln
2		 Treble 8 0 3 3 100%
VNE- Bass 9 0 2 4 100%
GOBRIAS Bass 13 0 4 4 92%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
Aria: "Nun mögt ihr stolzen Feinde schrecken" (BWV 248, Part 6)
aeolus
17:09 Est. Play
Time
177 Measures
2,946Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 37 156 19 3 100%
Violoncello Bass 28 0 11 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 37 156 19 3 100%
Violoncello Bass 28 0 11 3 100%
Oboe
d'amore
I		 Treble 24 0 9 4 97%
Oboe
d'amore
II		 Treble 21 0 7 5 95%
Tenor
Solo		 19 0 7 4 61%