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Participation: 80%-99%
Play Time: < 1:00
Play Time: 1:00 - 1:30
Unique Durations: 8-9
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prelude
Preludio per violino solo Op4
João Dovicchi
1:20 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino Treble 33 29 12 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino Treble 33 29 12 8 96%
 
Prelude in C
BarryP
0:28 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 26 7 4 100%
Bass 32 8 12 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 26 7 4 100%
Bass 32 8 12 8 94%
 
Prélude No. 3 In G Major, Op. 28 - by Frédéric Chopin
James Brigham
0:47 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 18 3 8 93%
Bass 26 1 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 18 3 8 93%
Bass 26 1 2 4 100%
 
Armas Launis - Les flammes gelées - 01. Anteludium
Tuomas Palojärvi
1:19 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 42 15 9 86%
Bass 36 13 14 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 42 15 9 86%
Bass 36 13 14 7 87%
 
Prelude
B.J. Catt
1:28 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 0 8 81%
Bass 18 9 0 4 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 0 8 81%
Bass 18 9 0 4 97%
 
Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.
Jamie Holdham
0:57 Est. Play
Time
46 Measures
1,369Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VIOLINEN. Treble 26 0 10 8 100%
BRATSCHEN. 24 0 9 4 100%
View all 30 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VIOLINEN. Treble 26 0 10 8 100%
BRATSCHEN. 24 0 9 4 100%
Contrabasse. Bass 25 0 11 8 100%
Violins Treble 23 0 9 8 100%
Violoncelle. Bass 27 0 12 8 100%
FAGOTTEN. Bass 28 8 9 8 90%
1.
BASS-TUBA. (in
B.)		 Bass 21 2 10 8 88%
CONTRABASS-TUBA. Bass 18 0 5 7 82%
BASS-CLARINETTE. (in
B.)		 Bass 23 0 7 7 75%
2
TENOR-TUBEN. (in
Es.)		 Treble 11 5 2 7 69%
Bassoon Bass 26 0 9 7 68%
3
POSAUNEN.		 Bass 21 5 7 7 63%
HORNER. Treble 18 0 8 9 53%
2.
BASS-TUBA.		 Bass 10 0 6 7 50%
PAUKEN.
(1.
PAAR.)		 Bass 2 0 0 4 43%
TROMPETEN. Treble 8 0 3 5 38%
HOBOEN. Treble 17 0 7 3 35%
CONTRABASS- POSAUNE. Bass 6 0 3 2 32%
BASS
TROMPETEN.		 Treble 8 0 2 6 29%
CLARINETTEN. Treble 17 0 8 4 25%
B♭
Clarinet		 Treble 16 0 7 3 21%
Englisch
Horn.		 Treble 13 0 6 4 21%
F
Trumpet		 Treble 6 0 3 6 21%
Oboe Treble 14 0 6 3 21%
Horn
in
F		 Treble 15 7 5 3 21%
GROSSE
FLOTEN.		 Treble 4 1 1 3 14%
Flute Treble 5 3 1 3 14%
Trombone Bass 10 0 3 6 14%
Kleinen
Floten.		 Treble 2 0 1 2 7%
PAUKEN.
(2.
PAAR.)		 Bass 1 0 0 1 7%
 
Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%