Play Along Piano

Tags

public domain

Charl'ston (c. 1923)

crono23

1:14	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	83	13	7	97%
		36	37	12	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	83	13	7	97%
		36	37	12	5	97%

Ragtime Cowboy Joe (1912)

crono23

1:21	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	42	7	7	100%
	28	30	10	6	98%
Voice	11	0	5	7	88%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	42	7	7	100%
	28	30	10	6	98%
Voice	11	0	5	7	88%

Tickle the Ivories - Song Version (1913)

crono23

1:21	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	25	9	7	100%
	26	26	9	1	96%
Voice	15	0	5	7	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	25	9	7	100%
	26	26	9	1	96%
Voice	15	0	5	7	92%

Philadelphia Grays Quick Step (1837/9)

crono23

1:21	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	9	2	7	100%
		13	17	0	3	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	9	2	7	100%
		13	17	0	3	84%

The Cuban Hero (1898)

crono23

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	50	5	7	100%
	24	22	4	4	98%
Voice	8	0	1	7	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	50	5	7	100%
	24	22	4	4	98%
Voice	8	0	1	7	91%

No Fair Fight

Richard G Perritt Sr

1:24	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Bass	8	0	0	4	100%
Vibraphone	17	0	0	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Bass	8	0	0	4	100%
Vibraphone	17	0	0	5	95%
Electric Guitar	18	6	1	7	52%
	16	0	0	6	90%
Bassoon	10	0	0	5	52%
Acoustic Guitar	14	8	0	4	50%
B♭ Clarinet	11	0	0	5	45%
Oboe	11	0	0	4	45%
C Trumpet	11	0	0	5	38%
Flute	14	0	0	5	36%
Tenor Saxophone	12	0	0	5	36%
Horn in F	12	0	0	5	33%

The Music Box

Richard G Perritt Sr

1:27	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Bass	8	0	0	2	100%
Acoustic Guitar	18	24	4	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Bass	8	0	0	2	100%
Acoustic Guitar	18	24	4	4	100%
Celesta	23	27	5	5	83%
Flute	21	0	5	4	76%
Harmonica	26	0	6	5	76%
Piccolo	22	0	6	4	62%

Walking on Tiptoe

Richard G Perritt Sr

1:26	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acoustic Bass	9	0	0	3	100%
Bassoon	10	0	0	4	100%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Acoustic Bass	9	3	100%
Bassoon	10	4	100%
Flute	15	7	95%
Pan Flute	16	8	95%

If That's Your Dream, You Better Wake Up

crono23

1:01	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	57	8	6	98%
	27	26	9	4	98%
Voice	13	0	4	4	85%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	57	8	6	98%
	27	26	9	4	98%
Voice	13	0	4	4	85%

Good-bye Old Gal Good-bye (1906)

crono23

1:25	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	50	10	5	100%
	33	34	10	4	96%
Voice	13	0	4	4	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	50	10	5	100%
	33	34	10	4	96%
Voice	13	0	4	4	89%

The Dirty Dozen

crono23

1:17	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	29	7	6	99%
	17	17	5	6	98%
Voice	12	0	4	7	85%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	29	7	6	99%
	17	17	5	6	98%
Voice	12	0	4	7	85%

The Song They Sang at Santiago (1898)

crono23

1:18	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	25	10	6	98%
	19	26	4	2	92%
Voice	13	0	4	6	87%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	25	10	6	98%
	19	26	4	2	92%
Voice	13	0	4	6	87%

Tibi Cherubin et Seraphin

Wroclaw University Library

1:04	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	6	0	2	5	97%
Basso	11	0	1	4	72%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	6	2	5	97%
Basso	11	1	4	72%
Tenore	8	0	3	69%
Alto	8	2	4	66%

Before The Maine Went Down (1898)

crono23

1:03	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	100%
	21	18	4	5	92%
Voice	12	0	3	5	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	8	3	5	100%
	21	18	4	5	92%
Voice	12	0	3	5	89%

Panama Bay

crono23

1:23	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	50	9	5	100%
	24	19	7	4	96%
Voice	12	0	4	5	86%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	50	9	5	100%
	24	19	7	4	96%
Voice	12	0	4	5	86%