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Bartók forever

Io son ferito

Bartók forever

4:56	Est. Play Time
74	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2		14	0	4	6	95%
Part_3		14	0	4	4	91%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2		14	0	4	6	95%
Part_3		14	0	4	4	91%
Part_1		11	0	3	5	85%
Part_4		11	0	2	5	84%
Part_5		13	0	4	5	78%

Sonata Eb Major K. 306

Bartók forever

5:55	Est. Play Time
110	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98%
		32	13	11	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98%
		32	13	11	4	100%

Psalmus sub communione SSWV 156 (TIP)

Bartók forever

5:33	Est. Play Time
96	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80%
		23	0	7	7	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80%
		23	0	7	7	88%

Solo per il cembalo BWV Anhang 129

Bartók forever

3:32	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	7	7	100%
		25	2	8	3	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	7	7	100%
		25	2	8	3	84%

Rezitativ und Arie from BWV 82

Bartók forever

6:44	Est. Play Time
99	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	32	5	6	16%
		25	43	9	6	100%
		24	0	9	6	98%
Sopran		18	0	7	8	96%

Fuga 14 in f# from WTC II BWV 883 (organ sound)

Bartók forever

5:43	Est. Play Time
70	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	0	6	7	96%
		27	0	11	6	90%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	0	6	7	96%
		27	0	11	6	90%
		23	0	9	7	100%
Orgel		4	0	1	10	3%
		4	0	1	9	3%
		2	0	0	7	1%

Schäfers Klagelied D 121 (1814)

Bartók forever

2:48	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	21	9	7	97%
		22	13	7	4	91%
Voice		15	0	5	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	21	9	7	97%
		22	13	7	4	91%
Voice		15	0	5	5	95%

Two excerpts from the Robertsbridge Codex

Bartók forever

3:12	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		16	3	4	7	100%
		14	1	3	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		16	3	4	7	100%
		14	1	3	7	100%

Haenschen Klein (Theme and Variations)

Bartók forever

1:35	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Posaune		8	0	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Posaune		8	0	4	6	100%

Two Pieces from Mikrokosmos IV

Bartók forever

3:23	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	16	6	90%
		28	11	23	6	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	16	6	90%
		28	11	23	6	95%

Two Lieder by Schubert

Bartók forever

2:58	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	26	9	7	91%
		28	30	12	7	94%
Voice		16	0	5	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	26	9	7	91%
		28	30	12	7	94%
Voice		16	0	5	6	92%

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