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Measures: 35 - 60
Unique Notes: 11 - 15
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Charles Villiers Stanford
Shall we go dance?
Charles Villiers Stanford
1:15 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(For

practice

only)		 Treble 19 39 4 6 94%
Bass 19 22 4 6 90%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(For

practice

only)		 Treble 19 39 4 6 94%
Bass 19 22 4 6 90%
Soprano Treble 12 0 2 6 92%
Alto Treble 11 0 3 6 88%
Tenor Treble 10 0 1 6 86%
Bass Bass 17 1 4 6 82%
 
Justorum animae, Op. 38, No. 1
Charles Villiers Stanford
1:46 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 15 5 8 98%
Organ
(for

rehearsal
only)		 Treble 22 30 7 8 95%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 15 5 8 98%
Organ
(for

rehearsal
only)		 Treble 22 30 7 8 95%
Bass 23 37 9 8 97%
Bass Bass 18 10 6 8 96%
Alto Treble 17 0 6 8 96%
Soprano Treble 15 10 5 8 93%
 
Diaphenia
Charles Villiers Stanford
1:42 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(For

practice
only)		 Treble 15 35 3 5 100%
Bass 19 29 4 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(For

practice
only)		 Treble 15 35 3 5 100%
Bass 19 29 4 6 100%
Alto Treble 8 1 0 4 100%
Bass Bass 15 2 3 5 100%
Soprano Treble 10 0 1 5 100%
Tenor Treble 13 0 4 4 100%
 
Corydon, Arise!
Charles Villiers Stanford
1:16 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(for
rehearsal
only)		 Treble 20 30 5 7 95%
Bass 14 33 2 7 85%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(for
rehearsal
only)		 Treble 20 30 5 7 95%
Bass 14 33 2 7 85%
Soprano Treble 12 1 2 7 87%
Alto Treble 11 0 2 6 84%
Bass Bass 10 2 1 7 82%
Tenor Treble 11 0 2 7 82%
 
Hymn (after a Song of Trust) - Purest and Highest
Charles Villiers Stanford
0:01 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 33 3 6 90%
Bass 23 17 3 6 90%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 33 3 6 90%
Bass 23 17 3 6 90%
Choir Treble 15 3 2 6 64%
Bass 15 3 2 6 63%
Tenor Treble 10 0 2 2 22%
Alto Treble 8 0 1 2 20%
Bass Bass 11 0 1 3 20%
Soprano Treble 6 0 1 3 20%
 
What the bee is to the flow'ret
Charles Villiers Stanford
0:57 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 6 0 6 83%
Soprano Treble 11 0 1 6 83%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 6 0 6 83%
Soprano Treble 11 0 1 6 83%
Tenor Treble 12 3 2 6 82%
Alto Treble 10 5 0 6 74%
 
It is not the tear
Charles Villiers Stanford
1:10 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 4 6 100%
Soprano Treble 12 0 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 4 6 100%
Soprano Treble 12 0 2 6 100%
Tenor Treble 13 0 3 6 100%
Bass Bass 15 1 1 5 97%
 
Coelos ascendit hodie, Op. 38, No. 2
Charles Villiers Stanford
1:28 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
(for

rehearsal
only)		 Treble 16 31 4 8 100%
Bass 21 27 7 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
(for

rehearsal
only)		 Treble 16 31 4 8 100%
Bass 21 27 7 8 100%
Alto Treble 9 0 3 8 89%
Treble 9 0 2 8 89%
Soprano Treble 13 0 2 8 89%
Treble 11 0 2 8 89%
Bass Bass 18 0 5 8 89%
Bass 17 0 5 8 86%
Tenor Treble 10 0 2 8 86%
Treble 11 0 3 8 89%