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Jamie Holdham

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
BASS. Alle Männer.		9	0	1	4	100%
BRATSCHEN.		8	0	1	4	100%
Contrabasse.		8	0	1	4	100%
Erste Violinen.		9	1	1	4	100%
TENOR. Alle Männer.		9	0	0	4	100%
Tuba.		13	0	1	4	100%
Violoncelle.		9	0	1	4	100%
Zweite Violinen.		9	0	1	4	100%
3 GROSSE FLOTEN.		9	0	0	4	83%
3 CLARINETTEN in Bb.		14	15	2	4	67%
3 HOBOEN.		14	15	1	4	67%
KLEINE FLOTE.		7	0	0	4	58%
PAUKEN. Es. u. B		4	0	2	4	33%
2 TENORPOSAUNEN.		4	2	0	2	8%
3 VENTILTROMPETEN in E.		2	1	0	2	8%
BASSPOSAUNE.		2	0	0	2	8%

Beethoven - Sonata 27, Mvt.2. {Professional production score.} Unfinished.

Jamie Holdham

3:37	Est. Play Time
180	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	43	7	5	100%
		34	20	8	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	43	7	5	100%
		34	20	8	5	99%

Beethoven - Symphony No.9. Mvt.3. {Performance + Full Score.} [Unfinished.]

Jamie Holdham

2:14	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	3	1	4	100%
Violino II		10	4	0	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	3	1	4	100%
Violino II		10	4	0	4	100%
Violoncello		11	0	2	5	100%
Violino I		14	0	1	5	89%
2 Fagotti		13	10	0	4	61%
2 Klarinetti in B		13	12	1	3	57%
I. II in B 4 Corni III. IV in Es		8	9	0	4	48%
Horn in E♭		5	0	0	5	47%
Contrabasso		1	0	0	1	5%
Timpani		2	0	1	2	5%

Wagner - Kaisermarsch. {Professional production full score.} Unfinished.

Jamie Holdham

0:14	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 grosse Floten.		6	0	0	6	100%
3 Clarinetten(in B.)		5	0	0	6	100%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 grosse Floten.		6	0	0	6	100%
3 Clarinetten(in B.)		5	0	0	6	100%
3 FAGOTTE.		8	6	0	7	100%
3 Hoboen.		6	0	0	6	100%
3 POSAUNEN.		7	6	0	6	100%
4 Horner (in F.)		9	10	0	6	100%
VIOLINEN.		15	8	0	4	100%
1. (in F.) 3 Trompetten.		6	0	0	6	100%
1 kleine Flote.		7	0	0	6	100%
2. u. 3. (in tief B.)		7	3	0	6	100%
3 Pauken. B. F. C.		3	0	1	3	100%
B♭ Clarinet		9	8	0	6	100%
Bassoon		9	0	0	7	100%
Basstuba.		9	0	0	7	100%
BRATSCHEN.		14	7	0	4	100%
Contrabässe.		11	0	0	7	100%
Flute		6	0	0	6	100%
Horn in F		11	10	0	6	100%
Oboe		7	9	0	6	100%
Trombone		8	0	0	7	100%
Violins		14	9	0	4	100%
Violoncelle.		9	1	0	7	100%

Liszt - Sancta Dorothea. {Professional production score.}

Jamie Holdham

2:18	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	26	7	5	99%
		35	18	9	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	26	7	5	99%
		35	18	9	5	97%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.		20	15	6	4	100%
BRATSCHEN.		23	18	6	7	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.		20	15	6	4	100%
BRATSCHEN.		23	18	6	7	100%
Violoncelle.		25	2	8	7	100%
2 FAGOTTE.		29	15	10	6	98%
1. VIOLINEN.		22	12	4	5	96%
4 HORNER in F.		17	0	5	6	96%
Contrabasse.		19	0	6	6	96%
Horn in F		14	0	4	6	88%
3 POSAUNEN.		13	0	4	6	82%
2 HOBOEN.		17	0	5	4	82%
BASS-TUBA.		23	0	5	6	79%
2 CLARINETTEN. in B.		15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).		12	2	1	6	77%
Bass Trombone		14	0	2	6	68%
PAUKEN (C u.G).		2	0	0	2	29%
2 GROSSE FLOTEN.		7	0	1	2	25%
C Trumpet		5	0	0	4	25%

Buxtehude - Ciaconna in B flat Major. {From Trio-Sonaten No.4.}

Jamie Holdham

4:05	Est. Play Time
113	Measures
	1,452Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	20	0	5	100%
		13	7	0	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	20	0	5	100%
		13	7	0	2	100%
Cembalo.		12	0	0	2	100%
Violino.		24	0	4	8	91%
Viola da gamba.		25	0	4	9	74%

Gustav Holst - Venus. {Professional production full score.}

Jamie Holdham

2:45	Est. Play Time
145	Measures
	1,166Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II		19	23	5	5	58%
		12	9	5	6	67%
View all 23 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II		19	23	5	5	58%
		12	9	5	6	67%
III IV		17	15	5	5	61%
		10	3	3	4	40%
3 OBOES		19	15	6	5	53%
1st Violins		14	0	2	7	53%
3 CLARINETS in B♭		22	26	10	6	52%
2nd Violins		9	0	2	7	43%
Harp I		15	19	2	1	30%
		3	1	0	1	17%
English Horn		2	0	1	4	30%
Violoncellos		13	0	2	4	30%
DOUBLEBASSES		7	0	0	4	23%
Harp II		13	14	2	1	22%
		9	7	2	1	19%
3 BASSOONS		5	2	0	2	20%
Bass Clarinet in B♭		7	0	1	4	17%
V VI		2	1	0	1	9%
Celesta		4	0	0	1	4%
		4	3	1	1	4%
DOUBLE BASSOON		1	0	0	2	4%
Glockenspiel		4	0	0	2	4%
Violas		8	0	1	2	4%

Schubert - Symphony No.8. {Professional production full score.} Unfinished.

Jamie Holdham

2:14	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		14	0	1	4	96%
Violoncello.		14	0	1	7	93%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		14	0	1	4	96%
Violoncello.		14	0	1	7	93%
Clarinetti in A.		14	11	5	5	80%
Viola.		12	4	3	2	76%
Violino I.		18	5	5	6	65%
Violino II.		16	4	4	6	65%
Oboi.		12	2	4	5	64%
Corni in D.		7	4	0	5	59%
Fagotti.		11	10	2	5	46%
Flauti.		9	1	0	5	34%
Trombone		3	0	0	3	11%
		4	2	1	3	9%
Timpani in H.Fis.		2	0	1	2	11%
Trombe in E.		4	3	0	2	11%

Paganini - Sonata per la Grand Viola e Orchestra. {Professional production full score.} Unfinished.

Jamie Holdham

1:49	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass		10	0	3	4	76%
Viola		13	12	2	4	76%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass		10	0	3	4	76%
Viola		13	12	2	4	76%
Violin 1		21	7	5	4	76%
Violin 2		10	9	2	4	76%
Violoncello		11	0	3	4	76%
Timpani		2	0	0	2	64%
Bassoon		7	0	1	1	40%
Clarinetti in B♭		10	8	1	2	40%
Corni in C		4	2	0	2	36%
Vla.Solo		26	0	5	8	36%
Oboi		11	8	1	1	32%
Flauti		7	6	1	1	16%
Trumpet in C		2	1	0	1	12%
Trombones		6	3	1	1	8%

Beethoven - Symphony No. 7. Mvt. 1. {Unfinished.}

Jamie Holdham

2:40	Est. Play Time
98	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.		32	9	12	5	98%
Viola.		21	24	6	5	98%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.		32	9	12	5	98%
Viola.		21	24	6	5	98%
Fagotti.		22	18	8	6	95%
Oboi.		17	16	5	6	94%
Violino I.		26	8	7	5	91%
Clarinetti in A.		19	15	5	6	89%
Violoncello e Basso.		31	0	12	4	80%
Flauti.		22	6	6	5	75%
Corni in A.		7	3	1	4	66%
Trombe in D.		9	5	1	3	58%
Timpani in A.E.		2	0	0	1	45%
Basso.		29	0	11	4	30%

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