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Jamie Holdham

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.		15	7	1	4	100%
4 VENTILHORNER in E.		17	18	2	4	100%
BASS. Alle Männer.		9	0	1	4	100%
BRATSCHEN.		8	0	1	4	100%
Contrabasse.		8	0	1	4	100%
Erste Violinen.		9	1	1	4	100%
TENOR. Alle Männer.		9	0	0	4	100%
Tuba.		13	0	1	4	100%
Violoncelle.		9	0	1	4	100%
Zweite Violinen.		9	0	1	4	100%
3 GROSSE FLOTEN.		9	0	0	4	83%
3 CLARINETTEN in Bb.		14	15	2	4	67%
3 HOBOEN.		14	15	1	4	67%
KLEINE FLOTE.		7	0	0	4	58%
PAUKEN. Es. u. B		4	0	2	4	33%
2 TENORPOSAUNEN.		4	2	0	2	8%
3 VENTILTROMPETEN in E.		2	1	0	2	8%
BASSPOSAUNE.		2	0	0	2	8%

Beethoven - Symphony No.9. Mvt.3. {Performance + Full Score.} [Unfinished.]

Jamie Holdham

2:14	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	3	1	4	100%
Violino II		10	4	0	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	3	1	4	100%
Violino II		10	4	0	4	100%
Violoncello		11	0	2	5	100%
Violino I		14	0	1	5	89%
2 Fagotti		13	10	0	4	61%
2 Klarinetti in B		13	12	1	3	57%
I. II in B 4 Corni III. IV in Es		8	9	0	4	48%
Horn in E♭		5	0	0	5	47%
Contrabasso		1	0	0	1	5%
Timpani		2	0	1	2	5%

Beethoven - Symphony No.7. Mvt 1. {Professional production full score.} Unfinished.

Jamie Holdham

5:08	Est. Play Time
160	Measures
	2,134Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.		32	11	12	7	95%
Violino I.		29	9	9	8	93%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.		32	11	12	7	95%
Violino I.		29	9	9	8	93%
Oboi.		18	31	5	8	92%
Viola.		24	26	8	7	91%
Fagotti.		25	29	10	8	91%
Flauti.		23	15	7	8	87%
Clarinetti in A.		21	25	6	8	87%
Violoncello e Basso.		31	0	12	6	75%
Corni in A.		14	14	1	8	67%
Basso.		29	0	11	6	52%
Trombe in D.		9	5	1	6	43%
Timpani in A.E.		2	0	0	4	34%

Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.

Jamie Holdham

1:07	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		13	0	1	3	100%
Violino I.		16	0	2	4	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		13	0	1	3	100%
Violino I.		16	0	2	4	100%
Violino II.		15	0	1	4	100%
Viola.		16	0	2	3	97%
Oboe I.		15	0	2	5	77%
Oboe II.		12	0	1	5	77%
Corno I.		10	0	0	4	63%
Corno II.		9	0	0	4	57%
Basso.		13	0	1	3	47%
Tenore.		13	0	2	3	43%
Alto.		11	0	1	2	27%
Soprano.		12	0	1	2	23%

Buxtehude - Var.XXX: La Capricciosa. {Professional production full score.}

Jamie Holdham

0:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	3	2	5	100%
		15	0	1	5	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	3	2	5	100%
		15	0	1	5	88%

Andre Campra - Messe de Requiem. [I. Introit.] {Professional production full score.} Unfinished.

Jamie Holdham

1:14	Est. Play Time
79	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		13	0	2	4	100%
Viola		8	0	0	6	92%
Violine 1		13	0	1	5	92%
Violine 2		8	0	0	4	92%
Chor 5		2	0	0	3	13%
chor 1		2	0	0	1	8%
Chor 4		1	0	0	1	4%

Buxtehude - Var.XX: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	1	1	4	100%
		12	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	1	1	4	100%
		12	0	1	4	100%

Buxtehude - Var.VII: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	0	2	2	62%
		13	0	1	4	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	0	2	2	62%
		13	0	1	4	88%

Buxtehude - Var.X. La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	0	1	4	52%
		15	0	0	5	55%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	0	1	4	52%
		15	0	0	5	55%

Buxtehude - Prelude in F Major. {Professional production score.} Unfinished.

Jamie Holdham

0:41	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	1	5	78%
		8	0	1	5	60%
		13	0	1	5	69%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	1	5	78%
		8	0	1	5	60%
		13	0	1	5	69%

Schubert - Symphony No.8. {Professional production full score.} Unfinished.

Jamie Holdham

2:14	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		14	0	1	4	96%
Violoncello.		14	0	1	7	93%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		14	0	1	4	96%
Violoncello.		14	0	1	7	93%
Clarinetti in A.		14	11	5	5	80%
Viola.		12	4	3	2	76%
Violino I.		18	5	5	6	65%
Violino II.		16	4	4	6	65%
Oboi.		12	2	4	5	64%
Corni in D.		7	4	0	5	59%
Fagotti.		11	10	2	5	46%
Flauti.		9	1	0	5	34%
Trombone		3	0	0	3	11%
		4	2	1	3	9%
Timpani in H.Fis.		2	0	1	2	11%
Trombe in E.		4	3	0	2	11%

Buxtehude - Var.XVI: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	0	1	5	93%
		15	0	0	4	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	0	1	5	93%
		15	0	0	4	93%

Bach - Wachet auf, ruft uns die Stimme. (Chorus I.) {Unfinished.}

Jamie Holdham

1:16	Est. Play Time
123	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I		21	0	4	6	100%
Harpsichord		19	0	3	4	97%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I		21	0	4	6	100%
Harpsichord		19	0	3	4	97%
		19	0	3	4	97%
Bassoon		19	0	3	4	97%
Continuo.		19	0	3	4	97%
Oboe I.		14	0	2	6	97%
Organ		19	0	3	4	97%
Oboe II.		13	0	1	6	76%
Violino II		13	0	1	5	71%
Taille.		11	0	0	5	65%
Viola.		15	0	3	5	65%
Soprano.		7	0	0	1	47%
Alto.		10	0	1	4	32%
Tenore.		9	0	0	5	32%
Basso.		11	0	0	4	24%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		36	0	15	7	78%
Bratsche.		27	1	13	7	68%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		36	0	15	7	78%
Bratsche.		27	1	13	7	68%
1. Violinen. 2.		34	0	10	8	55%
Violins		26	0	9	8	54%
2 Fagotte.		18	0	4	8	47%
Bassoon		17	0	4	9	40%
Hr.3 in D.		15	0	2	6	32%
Hr.2 in D.		12	0	2	6	29%
Hr.1 in D.		12	0	1	5	29%
Hr.4 in D.		14	0	2	5	28%
Contrabass.		14	1	4	5	27%
2 Clarinetten. (in A.)		18	0	4	7	27%
3 POSAUNEN.		11	4	1	5	15%
Hoboen.		9	0	1	5	15%
Hr in E.		7	0	1	5	9%
Trombone		6	0	2	4	9%
2 Trompetten. (in D.)		6	1	0	4	9%
2 grosse Floten.		11	1	2	3	7%
A Clarinet		9	0	1	2	6%
BASS.TUBA.		7	0	2	3	6%

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