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Jwagner

Bach -- Missa in F, BWV 233 - 4. Qui tollis

Jwagner

4:43	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	9	3	100%
Oboe	26	0	10	6	98%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	9	3	100%
Oboe	26	10	6	98%
Soprano	19	8	7	65%
Violin	1	1	1	2%
	1	0	1	2%
Viola	1	0	1	2%

Peter Heise - Til en veninde

Jwagner

2:41	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	43	9	6	94%
	35	35	8	6	100%
Stemme	18	0	4	6	97%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	43	9	6	94%
	35	35	8	6	100%
Stemme	18	0	4	6	97%

Ave verum corpus - Mozart

Jwagner

2:42	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	21	0	6	7	100%
	25	0	8	5	98%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	21	6	7	100%
	25	8	5	98%
Cello	19	7	5	100%
Viola	14	3	4	100%
Violin 1	20	5	7	100%
Violin 2	16	5	5	100%
Alto	9	2	6	83%
Soprano	14	5	6	83%
Bass	15	6	4	80%
Tenor	10	2	6	80%

Requiem - Mozart - 2. Kyrie

Jwagner

2:24	Est. Play Time
52	Measures
	2,023Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	79	10	7	98%
	29	76	11	7	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	79	10	7	98%
	29	76	11	7	100%
Bass	16	0	5	7	98%
Alto	19	0	7	7	92%
Soprano	21	0	7	7	90%
Tenor	18	0	6	7	88%

Gounod -- Messe brève no. 7 in C - 3. Sanctus

Jwagner

1:36	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	7	0	0	6	97%
Bass	9	1	1	6	83%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	7	0	0	6	97%
Bass	9	1	1	6	83%
Alto	9	0	1	6	71%
Soprano	8	0	0	6	71%
Organ	3	1	0	1	3%
	2	1	0	1	3%

Messiah - Händel - 1.20 He shall feed His flock like a shepherd

Jwagner

6:00	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	24	0	7	7	100%
Viola	20	0	7	7	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	24	7	7	100%
Viola	20	7	7	100%
Violin I	21	6	6	100%
Violin II	20	6	6	100%
Soprano	12	3	6	46%
Alto	12	3	6	35%

Messiah - Händel - 1.17 Glory to God

Jwagner

2:24	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	22	0	3	7	100%
Viola	14	0	0	8	98%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	22	3	7	100%
Viola	14	0	8	98%
Violin I	20	2	7	98%
Kontrabas	20	0	8	92%
Tenor	11	0	8	76%
Alto	7	0	8	63%
Soprano	8	0	8	57%
Bass	10	0	8	55%
Trompet I	7	0	7	43%
Trompet II	7	0	7	41%

Messiah - Händel - 1.07 And he shall purify

Jwagner

2:54	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	0	5	7	100%
Viola	19	0	6	6	83%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	5	7	100%
Viola	19	6	6	83%
Violin I	21	9	7	83%
Bass	17	6	6	81%
Violin II	21	7	6	81%
Tenor	13	4	5	74%
Soprano	13	3	6	72%
Alto	15	4	6	71%

Dixit Maria ad angelum

Jwagner

4:42	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	2	6	100%
Alto	10	0	2	6	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	2	6	100%
Alto	10	2	6	97%
Soprano	10	2	5	88%
Bass	10	1	4	83%

P.E. Lange-Müller - Tre Madonnasange 2. Madonna over Bølgerne Op. 65.2

Jwagner

2:35	Est. Play Time
48	Measures
	1,155Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	5	6	100%
Alto II	12	0	4	6	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	5	6	100%
Alto II	12	4	6	100%
Bass I	11	4	6	100%
Bass II	13	5	6	100%
Soprano II	12	4	6	100%
Tenor I	12	5	6	100%
Tenor II	13	5	6	100%
Soprano I	15	5	6	87%