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Jwagner
Brahms -- Neue Liebeslieder, op. 65 - 11. Alles, alles in den Wind
Jwagner
0:45 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 14 7 2 90%
Treble 26 17 10 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 14 7 2 90%
Treble 26 17 10 2 100%
Bass 24 9 6 4 100%
Bass 17 30 6 4 100%
Soprano Treble 14 0 5 3 100%
 
Brahms -- Neue Liebeslieder, op. 65 - 4. Ihr schwarzen Augen
Jwagner
0:48 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 5 6 3 100%
Treble 9 0 2 4 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 5 6 3 100%
Treble 9 0 2 4 83%
Bass 14 7 0 2 89%
Bass 18 27 6 2 89%
Bass Bass 15 0 5 4 90%
 
Brahms -- Neue Liebeslieder, op. 65 - 3b. An jeder Hand die Finger (F-dur)
Jwagner
0:54 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 12 4 4 96%
Treble 19 16 5 5 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 12 4 4 96%
Treble 19 16 5 5 82%
Bass 22 12 6 3 98%
Bass 19 16 5 3 96%
Soprano Treble 11 0 3 3 100%
 
Brahms -- Neue Liebeslieder, op. 65 - 3a. An jeder Hand die Finger (A-Dur)
Jwagner
0:54 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 12 4 4 96%
Treble 19 16 5 5 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 12 4 4 96%
Treble 19 16 5 5 82%
Bass 22 12 6 3 98%
Bass 19 16 5 3 96%
Soprano Treble 11 0 3 3 100%
 
Weihnachtsoratorium - No. 26 - Lasset uns nun gehen gen Bethlehem
Jwagner
0:42 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 23 0 8 4 100%
Treble 23 0 8 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 23 0 8 4 100%
Treble 23 0 8 4 100%
Violins Treble 11 0 3 6 93%
Treble 23 0 8 4 100%
Contrabasses Bass 18 0 5 4 100%
Tenor Treble 15 0 5 5 100%
Violas 15 0 5 5 100%
Oboe Treble 11 0 3 6 93%
Treble 12 0 3 4 89%
Bass Bass 14 0 4 4 93%
Soprano Treble 11 0 3 6 93%
Alto Treble 12 0 4 4 89%
 
Mass in G - Schubert - 4. Sanctus
Jwagner
0:49 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 40 14 7 100%
Bass 26 19 8 6 91%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 40 14 7 100%
Bass 26 19 8 6 91%
Soprano Treble 11 0 3 8 89%
Tenor Treble 15 0 4 8 84%
Bass Bass 13 0 3 8 74%
Alto Treble 12 0 3 8 68%
 
Elverskud - Gade - 7. Morgensang
Jwagner
0:01 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 52 4 4 96%
Bass 24 41 2 4 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 52 4 4 96%
Bass 24 41 2 4 96%
Tenor
I		 Treble 11 0 1 4 79%
Tenor
II		 Treble 10 0 2 4 79%
Bass
I		 Bass 11 0 1 4 70%
Bass
II		 Bass 10 0 0 4 70%
Alto Treble 10 0 2 4 64%
Soprano
I		 Treble 10 0 1 4 63%
Soprano
II		 Treble 10 0 2 4 41%
 
Requiem in C-minor - 5. Sanctus - Cherubini
Jwagner
0:01 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klaver Treble 20 54 3 5 100%
Bass 21 15 2 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klaver Treble 20 54 3 5 100%
Bass 21 15 2 6 100%
Soprano Treble 9 0 0 7 89%
Alto Treble 8 0 1 7 86%
Bass Bass 13 0 1 7 84%
Tenor Treble 8 0 1 7 84%
 
Elverskud - Gade - 10. Epilog
Jwagner
0:51 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 43 10 6 100%
Bass 34 21 9 6 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 43 10 6 100%
Bass 34 21 9 6 97%
Bass
I+II		 Bass 7 0 0 5 81%
Alto Treble 6 0 0 6 78%
Soprano Treble 9 0 1 6 78%
Tenor Treble 12 0 2 5 78%
 
Samson - Händel - 3.88 Weep, Israel, weep
Jwagner
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 6 8 100%
Bass 23 14 6 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 6 8 100%
Bass 23 14 6 5 100%
Alto Treble 8 0 2 4 83%
Bass Bass 9 0 3 6 83%
Soprano Treble 10 0 4 4 83%
Tenor Treble 11 0 4 4 83%
 
Brahms - Vier Zigeunerlieder, No. 4 - opus 112
Jwagner
0:55 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 8 4 100%
Bass 19 21 3 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 8 4 100%
Bass 19 21 3 2 100%
Alto Treble 10 0 2 4 90%
Tenor Treble 13 0 3 4 69%
Bass Bass 5 0 1 2 49%
Soprano Treble 12 0 2 4 49%