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Composition: Piano
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Neil Walsh
Invention for Keyboard
Neil Walsh
1:01 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 22 8 4 84%
Bass 24 6 8 5 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 22 8 4 84%
Bass 24 6 8 5 92%
 
Minuet to be played with feeling
Neil Walsh
2:20 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 9 7 96%
Bass 23 7 9 6 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 9 7 96%
Bass 23 7 9 6 79%
 
contradanse (abridged - keyboard reductionfrom orchestra)
Neil Walsh
1:52 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 13 6 5 97%
Bass 22 19 4 6 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 13 6 5 97%
Bass 22 19 4 6 87%
 
Duetto - flute and violin
Neil Walsh
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 5 4 100%
Flute Treble 20 0 7 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 5 4 100%
Flute Treble 20 0 7 3 89%
 
sinfonia - draft version
Neil Walsh
4:33 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 21 0 8 6 95%
Treble 17 0 4 4 78%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 21 0 8 6 95%
Treble 17 0 4 4 78%
Viola 17 2 6 5 46%
Violoncello Bass 17 0 4 4 43%
 
C Minor Sonata draft first movement1
Neil Walsh
1:24 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 30 6 6 85%
Bass 27 12 7 5 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 30 6 6 85%
Bass 27 12 7 5 78%
 
piano ouverture
Neil Walsh
1:04 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 22 11 4 94%
Bass 22 9 10 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 22 11 4 94%
Bass 22 9 10 7 87%
 
Short practice fugue for keyboard or strings
Neil Walsh
1:04 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 6 4 57%
Bass 12 0 2 4 23%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 6 4 57%
Bass 12 0 2 4 23%
Violin Treble 21 1 6 4 57%
Violoncello Bass 12 0 2 4 23%
 
To the Thought 'Sumer is Icumen in' for Male and Female Voice
Neil Walsh
2:16 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Women Treble 19 2 6 7 100%
Men Bass 20 6 5 5 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Women Treble 19 2 6 7 100%
Men Bass 20 6 5 5 89%
 
Prelude free adaptation of themes by Mahler and Beethoven Ben Marcato ma quasi legato e furioso
Neil Walsh
0:58 Est. Play
Time
100 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 25 13 8 75%
Bass 29 18 10 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 25 13 8 75%
Bass 29 18 10 6 88%