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Composition: Piano
Participation: 80%-99%
Unique Durations: 6-7
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Neil Walsh
contradanse (abridged - keyboard reductionfrom orchestra)
Neil Walsh
1:52 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 13 6 5 97%
Bass 22 19 4 6 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 13 6 5 97%
Bass 22 19 4 6 87%
 
Minuet to be played with feeling
Neil Walsh
2:20 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 9 7 96%
Bass 23 7 9 6 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 9 7 96%
Bass 23 7 9 6 79%
 
C Minor Sonata draft first movement1
Neil Walsh
1:24 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 30 6 6 85%
Bass 27 12 7 5 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 30 6 6 85%
Bass 27 12 7 5 78%
 
piano ouverture
Neil Walsh
1:04 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 22 11 4 94%
Bass 22 9 10 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 22 11 4 94%
Bass 22 9 10 7 87%
 
Prelude free adaptation of themes by Mahler and Beethoven Ben Marcato ma quasi legato e furioso
Neil Walsh
0:58 Est. Play
Time
100 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 25 13 8 75%
Bass 29 18 10 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 25 13 8 75%
Bass 29 18 10 6 88%