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Participation: 80%-99%
Participation: 100%
Unique Notes: 6 - 10
Unique Notes: 16 - 20
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Petra
Innsbruck, ich muss dich lassen, Heinrich Isaac
Petra
1:16 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 5 100%
Bass Bass 10 0 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 5 100%
Bass Bass 10 0 1 4 100%
Soprano Treble 6 0 0 5 100%
Tenor Treble 7 0 0 5 100%
 
BWV150.7
Petra
4:27 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 18 1 4 5 90%
Alt Treble 13 0 1 7 57%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 18 1 4 5 90%
Alt Treble 13 0 1 7 57%
Bass Bass 14 0 2 6 57%
Tenor Treble 10 0 3 7 56%
Sopran Treble 15 0 5 6 53%
 
Kantatenzyklus "Die Tageszeiten", Chor "Der Mittag", Georg Phillip Telemann
Petra
1:31 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 2 3 100%
Soprano Treble 13 2 2 3 100%
Tenor Treble 10 0 1 3 100%
 
Belta_poi_che_t'assenti_Gesualdo
Petra
2:08 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A
I		 Treble 17 0 7 5 89%
A
II		 Treble 18 0 9 6 89%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A
I		 Treble 17 0 7 5 89%
A
II		 Treble 18 0 9 6 89%
T Treble 18 0 7 6 89%
S Treble 17 0 6 6 84%
B Bass 17 0 6 6 83%
 
Erbarme dich, mein Gott aus der Matthäuspassion, BWV 244, Nr.39, J. S. Bach
Petra
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
Georg Friedrich Händel He shall feed his flock
Petra
2:42 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Treble 24 0 7 6 99%
Bass 20 0 4 7 87%
Alt Treble 12 0 3 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Treble 24 0 7 6 99%
Bass 20 0 4 7 87%
Alt Treble 12 0 3 6 73%
 
BWV150.4
Petra
1:32 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 17 0 6 7 100%
BC Bass 20 0 6 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 17 0 6 7 100%
BC Bass 20 0 6 7 100%
Tenor Treble 16 0 4 7 100%
Alt Treble 15 0 6 7 97%
Sopran Treble 12 0 3 7 97%
 
Kantatenzyklus "Die Tageszeiten", Chor "Der Abend", Georg Phillip Telemann
Petra
1:47 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 6 4 4 100%
Alto Treble 13 0 4 4 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 6 4 4 100%
Alto Treble 13 0 4 4 94%
Tenor Treble 15 0 4 3 89%
Bass Bass 15 0 5 5 80%
 
Abendlied
Petra
1:38 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S1 Treble 10 0 1 4 94%
S2 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S1 Treble 10 0 1 4 94%
S2 Treble 11 0 3 5 88%
T2 Treble 14 0 3 6 88%
B Bass 13 0 1 4 86%
A Treble 10 0 2 4 82%
T1 Treble 9 0 1 5 76%