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SDG

It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

Legends of the Infancy, Christmas carol, MuseScore simulated organ.

SDG

0:45	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		10	0	0	5	51%
		9	0	0	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		10	0	0	5	51%
		9	0	0	5	100%
		9	0	0	5	100%
B♭ Clarinet		13	0	3	5	100%
C Trumpet		13	0	3	5	100%
English Horn		15	0	0	5	100%
Flute		13	0	3	5	100%
Oboe		9	0	0	5	100%
Organ LH		9	0	0	5	100%
Organ RH		13	0	3	5	100%
Piccolo		9	0	0	5	100%
Picolo		13	0	3	5	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		14	0	0	5	100%
Voice		13	0	3	5	88%
		13	0	0	5	88%
Contrabassoon		10	0	0	5	51%
Double Bass		10	0	0	5	51%
Pedal		10	0	0	5	51%
pedal Flute		10	0	0	5	51%

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir		14	0	1	6	66%
Tenor/Bass		17	0	1	6	66%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir		14	0	1	6	66%
Tenor/Bass		17	0	1	6	66%
Organ		16	31	1	5	63%
Pedal		12	0	0	6	54%
Bassoon		12	1	0	5	44%
Soprano		10	0	1	6	22%
Tenor		10	0	1	6	22%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
		17	3	4	6	100%
Alto		11	0	0	4	78%
Soprano		11	0	0	4	78%
Bass		11	0	0	4	53%
Tenor		11	0	0	4	53%

Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.

SDG

0:56	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

De herdertjes lagen bij nachte. Dutch Christmas song. Doesburg sampleset. Arrangement: Bernard Greenberg (BSG).

SDG

1:18	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh		9	3	2	3	100%
Organ		14	10	3	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh		9	3	2	3	100%
Organ		14	10	3	4	100%
Pedal		12	0	2	3	100%
Pedal 16'		12	0	2	3	100%
S A		14	0	3	4	88%
T B		17	0	4	3	88%

There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim

SDG

2:17	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

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