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SDG

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
Organ	16	31	1	5	63%
Pedal	12	0	0	6	54%
Bassoon	12	1	0	5	44%
Soprano	10	0	1	6	22%
Tenor	10	0	1	6	22%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
	17	3	4	6	100%
Alto	11	0	0	4	78%
Soprano	11	0	0	4	78%
Bass	11	0	0	4	53%
Tenor	11	0	0	4	53%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Rast, die Winterreise, Schubert. Sung by Gertim (SDG).

SDG

2:58	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	27	7	3	100%
	14	23	3	4	100%
Singstimme Voice	15	0	3	4	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	27	7	3	100%
	14	23	3	4	100%
Singstimme Voice	15	0	3	4	76%

1. Das Wandern, die schöne Müllerin, Schubert. Piano accompaniment, with lyrics and notes vocal part (to use for singing).

SDG

1:05	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	6	4	3	96%
	9	3	0	2	96%
Singstimme	8	0	0	4	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	6	4	3	96%
	9	3	0	2	96%
Singstimme	8	0	0	4	74%

Gott sei mir gnädig dieser Zeit, WoO 50, Josef Rheinberger

SDG

4:17	Est. Play Time
103	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	19	0	6	4	98%
Soprano II	18	0	7	5	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	19	6	4	98%
Soprano II	18	7	5	97%
Alto	17	6	4	96%
Tenore II	17	5	4	88%
TENORE I	15	5	4	84%
Soprano	14	4	4	72%

3. Gefrorne Tränen, die Winterreise, Schubert

SDG

2:14	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

Nimm mich, o Herr, in deinen Hut, Josef Rheinberger, WoO 51.

SDG

2:58	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II	21	1	7	7	100%
Violine I	24	0	9	7	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II	21	1	7	7	100%
Violine I	24	0	9	7	98%
Cello Kontrabass	24	1	9	7	97%
Viola	21	0	7	7	95%
Alt	11	0	2	6	65%
Bass	14	0	3	6	65%
Sopran	11	0	1	4	65%
Tenor	13	0	4	6	65%

Nimm mich, o Herr, in deinen Hut, Josef Rheinberger.

SDG

2:58	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II	21	1	7	7	100%
Violine I	24	0	9	7	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II	21	1	7	7	100%
Violine I	24	0	9	7	98%
Cello Kontrabass	24	1	9	7	97%
Viola	21	0	7	7	95%
Alt	11	0	2	6	65%
Bass	14	0	3	6	65%
Sopran	11	0	1	4	65%
Tenor	13	0	4	6	65%

Tuba mirum spargens sonum, Requiem Mozart, KV 626.

SDG

3:26	Est. Play Time
63	Measures
	1,101Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
View all 24 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
Violino II.	18	2	5	5	89%
Contrabass	20	0	6	6	83%
Viola I, II.	19	7	6	5	79%
Tenore solo	13	0	5	7	45%
Basso solo	18	0	5	8	41%
Soprano solo	9	0	2	6	32%
Tenor	13	0	5	7	30%
	13	0	5	7	30%
	13	0	5	7	30%
Alto Solo	12	0	4	7	27%
	12	0	4	6	11%
Bass	16	0	3	8	25%
	16	0	3	8	25%
	16	0	3	8	25%
Trombone	16	0	4	6	25%
	16	0	4	6	25%
Trombone [tenore] solo	16	0	4	6	25%
Soprano	9	0	2	5	16%
	9	0	2	5	16%
	9	0	2	5	16%
Alto	12	0	4	6	11%
	12	0	4	6	11%

2. Die Wetterfahne, die Winterreise, Schubert.

SDG

2:09	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	14	11	6	81%
	27	35	9	5	99%
Voice, Vocal	15	0	6	5	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	14	11	6	81%
	27	35	9	5	99%
Voice, Vocal	15	0	6	5	80%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

Zie ik sterren aan de hemel staan

SDG

1:26	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	78%
Tenor/Bass		16	0	4	5	78%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	78%
Tenor/Bass		16	0	4	5	78%

Jauchzet, frohlocket, auf, preiset die Tage!, BWV 248 # 1

SDG

13:19	Est. Play Time
203	Measures
	5,015Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%