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23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	0	4	4	100%
Tenor/Bass	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	4	4	100%
Tenor/Bass	19	5	4	100%
Contrabass	17	4	3	50%
Tenor	2	0	2	4%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

" 'k Wil wel misschien vertrouwen op hem van Duitse bloed". Parodie op het Wilhelmus (zelfde melodie). Voor de overige coupletten (ook parodie) klik op: 'Show more' (beginletters vormen, net als bij het origineel, ook Willem van Nazzov).

SDG

1:04	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	0	4	100%
	11	0	0	4	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	4	100%
	11	0	4	100%
	14	1	4	100%
	14	1	4	100%
Organ	11	0	4	100%
	9	1	4	50%
	14	1	4	100%
C Trumpet	9	0	4	100%
English Horn	9	0	4	100%
Flute	9	0	4	100%
Oboe	9	0	4	100%
Soprano/Alto	11	0	4	100%
Tenor/Bass	14	1	4	100%
Violin	9	0	4	100%
Contrabass	9	1	4	50%
Viola	7	0	4	50%
Violoncello	9	1	4	50%
Soprano	2	0	1	10%
	2	0	1	10%
	2	0	1	10%

155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.

SDG

1:24	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	0	3	6	100%
Tenor/Bass	20	0	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	0	3	6	100%
Tenor/Bass	20	0	7	6	100%
Contrabass	16	0	5	5	50%
C Trumpet	7	5	0	3	10%

67. Dir, dir, Jehova, will ich singen. BWV 299.

SDG

1:12	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	17	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	4	50%
Voice	1	0	1	7%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	0	1	5	100%
Tenor/Bass	16	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	1	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	9	1	3	50%
Alto	1	0	1	6%

106. Für Freuden lasst uns springen. BWV 313

SDG

0:48	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	4	100%
Tenor/Bass	21	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	21	6	5	100%
Contrabass	16	4	4	50%
Voice	2	0	1	6%

112. Gott, der du selber bist das Licht. BWV 316.

SDG

0:59	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	5	100%
Tenor/Bass	22	0	6	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	5	100%
Tenor/Bass	22	6	4	100%
Contrabass	14	3	2	50%
Voice	3	0	2	16%
	2	0	2	11%

Ik wil zingen van mijn Heiland. I will sing of my Redeemer.

SDG

0:58	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	0	2	4	100%
Tenor/Bass	17	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	11	2	4	100%
Tenor/Bass	17	4	4	100%
Contrabass	10	2	4	50%
Alto	1	0	1	6%

105. Freuet euch, ihr Christen alle. BWV 40 #8

SDG

0:59	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	21	0	6	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	21	6	4	100%
Contrabass	16	4	3	50%
Voice	3	0	1	10%

Ik wil zingen van mijn Heiland. I will sing of my Redeemer.

SDG

0:58	Est. Play Time
18	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	2	4	100%
Tenor/Bass	17	4	4	100%
Alto	1	0	1	6%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	2	4	100%
Tenor/Bass	17	4	4	100%
Alto	1	0	1	6%