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SDG

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	0	4	100%
	11	0	0	4	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	4	100%
	11	0	4	100%
	14	1	4	100%
	14	1	4	100%
Organ	11	0	4	100%
	9	1	4	50%
	14	1	4	100%
C Trumpet	9	0	4	100%
English Horn	9	0	4	100%
Flute	9	0	4	100%
Oboe	9	0	4	100%
Soprano/Alto	11	0	4	100%
Tenor/Bass	14	1	4	100%
Violin	9	0	4	100%
Contrabass	9	1	4	50%
Viola	7	0	4	50%
Violoncello	9	1	4	50%
Soprano	2	0	1	10%
	2	0	1	10%
	2	0	1	10%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	0	5	2	100%
Horn in F	16	0	5	7	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	5	2	100%
Horn in F	16	5	7	100%
Violoncello	18	5	2	100%
Timpani	2	0	4	76%
Soprano/Alto	9	2	3	63%
Tenor/Bass	17	2	4	63%
Flute	7	1	3	55%
	7	1	3	55%
Oboe	7	1	3	55%
	7	1	3	55%
Violin	6	1	2	35%
	7	1	3	55%
Soprano	7	1	3	55%
Viola	7	1	4	55%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	18	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	18	3	5	100%
Contrabass	13	1	5	50%
Tenor	3	0	2	8%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	5	7	100%
Tenor/Bass	26	0	8	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	7	100%
Tenor/Bass	26	8	7	100%
Contrabass	19	6	7	50%
Soprano	2	0	1	3%

Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.

SDG

6:50	Est. Play Time
197	Measures
	4,797Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
View all 33 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
Violin I	29	6	7	5	87%
Violin I (rep)	29	6	7	5	87%
Violin II	25	13	8	6	85%
Viola	22	0	6	7	70%
Oboe II	18	0	4	6	70%
(Clarinet repeat Oboe I)	14	0	3	6	69%
Oboe I e Clarinetti	14	0	3	6	69%
Flauti	22	1	6	6	67%
Fagotti	26	3	8	7	64%
Basso	18	0	6	6	63%
Basso II	18	0	6	6	63%
Basso III	18	0	6	6	63%
Tenore	16	0	4	6	63%
Tenore II	16	0	4	6	63%
Tenore III	16	0	4	6	63%
Alto	15	0	5	6	59%
Alto II	15	0	5	6	59%
Alto III	15	0	5	6	59%
Soprano	10	0	1	6	59%
Soprano II	10	0	1	6	59%
Soprano III	10	0	1	6	59%
Contra Fagotti	20	0	5	7	59%
Trombone III	24	0	6	7	53%
Corni in C (French horns)	9	6	0	5	47%
Clarini in C (Trumpets)	10	7	0	5	44%
Timpano in C	2	0	0	3	35%
Trombone	10	0	2	4	30%
Trombone II	12	0	0	5	30%
Soprano Solo (Gabriel)	13	0	3	3	24%
Basso solo (Raphael)	9	0	2	4	23%
Tenore Solo (Uriel)	10	0	1	4	23%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%

51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.

SDG

0:44	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	0	4	4	100%
Tenor/Bass	19	0	5	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	4	4	100%
Tenor/Bass	19	5	5	100%
Contrabass	14	4	3	50%
Alto	2	1	1	13%
Bass	2	1	1	7%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	0	4	4	100%
Tenor/Bass	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	4	4	100%
Tenor/Bass	19	5	4	100%
Contrabass	17	4	3	50%
Tenor	2	0	2	4%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%