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Participation: 80%-99%
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Unique Durations: 8-9
Unique Durations: > 9
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SDG
Enigma variations, Nimrod, Eward Elgar, Lux Aeterna
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Waken! Christian children, Christmas carol.
SDG
0:44 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 8 0 1 3 100%
Manual
II		 Bass 6 0 0 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 8 0 1 3 100%
Manual
II		 Bass 6 0 0 4 100%
Pedal Bass 12 0 2 5 100%
S A Treble 8 0 1 3 67%
T B Bass 14 0 2 3 67%
 
20. Der Wegweiser, die Winterreise, Schubert. For low voice. Für tiefe Stimme.
SDG
3:52 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
 
220. Beveel gerust uw wegen.
SDG
0:44 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 16 0 3 3 95%
Piano,
Alt		 Treble 12 0 1 2 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 16 0 3 3 95%
Piano,
Alt		 Treble 12 0 1 2 95%
 
3. Gefrorne Tränen, die Winterreise, Schubert
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
36. O man van smart (oude melodie)
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 2 92%
T B Bass 14 0 1 3 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 2 92%
T B Bass 14 0 1 3 92%
 
Behold the lamb of God, Messiah Händel.
SDG
0:25 Est. Play
Time
32 Measures
1,242Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
Violins
I		 Treble 18 0 3 8 100%
Violins
II		 Treble 20 0 4 9 100%
Bassoon,
Bassoon		 Bass 16 0 3 8 94%
Cello Bass 16 0 3 8 94%
Contrabass Bass 17 0 3 8 94%
Viola 16 0 3 9 94%
Alto Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Oboe,
Oboe		 Treble 13 0 3 7 81%
Harpsichord Treble 24 50 6 8 75%
Bass 24 36 5 8 72%
Tenor Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Bass Bass 15 0 3 8 75%
 
26. Lof aanbidding, dank en ere
SDG
1:09 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 2 90%
T B Bass 13 0 1 3 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 2 90%
T B Bass 13 0 1 3 90%
 
'k Heb Jezus lief, hört Jesus ruft kommt alle her, Ernst Heinrich Gebhardt. Arrangement: Gertim.
SDG
1:43 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 1 1 3 100%
Oboe Bass 9 0 2 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 1 1 3 100%
Oboe Bass 9 0 2 3 100%
Pedal Bass 11 0 2 3 98%
S A Treble 9 1 1 3 94%
T B Bass 17 0 4 3 94%
 
Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.
SDG
6:35 Est. Play
Time
129 Measures
3,658Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
Bass 21 0 7 5 96%
Violoncello Bass 21 0 7 5 96%
Viola 23 0 8 5 89%
Violino
II		 Treble 23 0 8 5 89%
Violino
I		 Treble 26 0 10 6 88%
Alto 17 0 7 6 77%
Soprano 20 0 8 6 77%
Tenore 18 0 6 6 77%
Flauto traverso
I,II		 Treble 23 0 8 6 73%
Basso Bass 18 0 7 5 67%
Oboe
I/II		 Treble 23 0 8 6 60%
 
259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
Violoncello Bass 18 0 5 2 100%
Timpani Bass 2 0 0 4 76%
Soprano/Alto Treble 9 0 2 3 63%
Tenor/Bass Bass 17 0 2 4 63%
Flute Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Oboe Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Violin Treble 6 0 1 2 35%
Treble 7 0 1 3 55%
Soprano Treble 7 0 1 3 55%
Viola 7 0 1 4 55%