Play Along Piano

Uploaders

SDG

It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass	18	5	5	100%
Soprano/Alto	16	3	5	96%
Contrabass	13	3	5	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass	18	5	5	100%
Soprano/Alto	16	3	5	96%
Contrabass	13	3	5	50%

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
Organ	16	31	1	5	63%
Pedal	12	0	0	6	54%
Bassoon	12	1	0	5	44%
Soprano	10	0	1	6	22%
Tenor	10	0	1	6	22%

There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim

SDG

2:17	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	2	4	6	95%
Tenor/Bass	21	0	7	6	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	2	4	6	95%
Tenor/Bass	21	0	7	6	95%
Bass Guitar	15	0	3	6	50%
Contrabass	15	0	3	6	50%

Gott sei mir gnädig dieser Zeit, WoO 50, Josef Rheinberger

SDG

4:17	Est. Play Time
103	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	19	0	6	4	98%
Soprano II	18	0	7	5	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	19	6	4	98%
Soprano II	18	7	5	97%
Alto	17	6	4	96%
Tenore II	17	5	4	88%
TENORE I	15	5	4	84%
Soprano	14	4	4	72%

3. Gefrorne Tränen, die Winterreise, Schubert

SDG

2:14	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

Tuba mirum spargens sonum, Requiem Mozart, KV 626.

SDG

3:26	Est. Play Time
63	Measures
	1,101Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
View all 24 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso	21	0	7	6	90%
Violino I.	25	1	10	5	89%
Violino II.	18	2	5	5	89%
Contrabass	20	0	6	6	83%
Viola I, II.	19	7	6	5	79%
Tenore solo	13	0	5	7	45%
Basso solo	18	0	5	8	41%
Soprano solo	9	0	2	6	32%
Tenor	13	0	5	7	30%
	13	0	5	7	30%
	13	0	5	7	30%
Alto Solo	12	0	4	7	27%
	12	0	4	6	11%
Bass	16	0	3	8	25%
	16	0	3	8	25%
	16	0	3	8	25%
Trombone	16	0	4	6	25%
	16	0	4	6	25%
Trombone [tenore] solo	16	0	4	6	25%
Soprano	9	0	2	5	16%
	9	0	2	5	16%
	9	0	2	5	16%
Alto	12	0	4	6	11%
	12	0	4	6	11%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	0	6	3	100%
Contrabass	21	0	6	3	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	6	3	100%
Contrabass	21	6	3	100%
Oboe	22	7	6	98%
	17	4	6	95%
Strings I	22	7	6	98%
Violin I, Oboe I	22	7	6	98%
Viola	20	6	4	95%
Violin II, Oboe II	17	4	6	95%
Bass	17	5	9	68%

Cantique de Jean Racine, a score focused on the organ accompaniment (4 pages printout, just for organ!), Gabriel Fauré

SDG

4:33	Est. Play Time
89	Measures
	2,590Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
English Horn	31	8	9	6	89%
Oboe	31	8	9	6	89%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
English Horn	31	8	9	6	89%
Oboe	31	8	9	6	89%
Pipe Organ	31	8	9	6	89%
Piccolo	25	9	9	6	89%
	24	9	6	6	80%
Flute	25	9	9	6	89%
Organ Manual I	25	9	9	6	89%
Contrabassoon	20	0	6	4	87%
Pedal	20	0	6	4	87%
Organ Manual II	28	9	7	6	80%
T B	23	0	7	8	77%
S A	18	0	5	6	69%

It is Fulfilled, J. A. Freylinghausen, Es ist vollbracht. Arrangement: Gertim

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

Worthy is the Lamb, Messiah, Händel.

SDG

7:30	Est. Play Time
159	Measures
	4,806Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	0	7	7	97%
Tutti Bassi	32	0	7	7	97%
View all 21 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	7	7	97%
Tutti Bassi	32	7	7	97%
Violoncello	32	7	7	97%
Tenor	18	6	8	85%
	18	6	8	85%
Tenore.	18	6	8	85%
Bass	15	4	8	84%
	15	4	8	84%
Basso.	15	4	8	84%
Violino I.	25	6	7	83%
Violino II.	22	5	8	81%
Alto	14	3	8	80%
	14	3	8	80%
Alto.	14	3	8	80%
Soprano	16	4	7	75%
	16	4	7	75%
Canto.	16	4	7	75%
Viola.	20	5	8	75%
Tromba I.	12	1	7	36%
Tromba II.	9	0	8	36%
Tympano.	2	0	8	32%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

Jauchzet, frohlocket, auf, preiset die Tage!, BWV 248 # 1

SDG

13:19	Est. Play Time
203	Measures
	5,015Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%